1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:03,000 --> 00:00:07,000 CAPTIONING MADE POSSIBLE BY HALLMARK HOME ENTERTAINMENT 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:01:46,000 --> 00:01:48,000 DELIVER MY HEART 5 00:01:48,000 --> 00:01:50,000 FROM THIS FEARFUL, LONELY PLACE. 6 00:01:50,000 --> 00:01:55,000 SEND ME A GREAT LOVE FROM SOMEWHERE, 7 00:01:55,000 --> 00:01:56,000 OR ELSE I SHALL DIE. 8 00:01:56,000 --> 00:01:59,000 TRULY, I SHALL DIE. 9 00:02:28,000 --> 00:02:31,000 [FIDDLE AND ACCORDION PLAYING FOLK TUNE] 10 00:02:43,000 --> 00:02:46,000 [LAUGHING AND SHOUTING] 11 00:03:06,000 --> 00:03:09,000 ♪ THE KING CALLED DOWN HIS NOBLES ALL ♪ 12 00:03:09,000 --> 00:03:11,000 ♪ BY ONE, BY TWO, BY THREE ♪ 13 00:03:11,000 --> 00:03:14,000 ♪ EARL MARSHAL, I'LL GO SHRIVE THE QUEEN ♪ 14 00:03:14,000 --> 00:03:17,000 ♪ AND THOU SHALT WEND WITH ME ♪ 15 00:03:17,000 --> 00:03:19,000 ♪ A BOON, A BOON-- ♪ 16 00:03:20,000 --> 00:03:22,000 COME ON, GRANDPA. 17 00:03:22,000 --> 00:03:23,000 LOOK. 18 00:03:23,000 --> 00:03:25,000 THE BRIGHTEST FIRE AROUND, 19 00:03:25,000 --> 00:03:30,000 AND THE WITCH DOESN'T EVEN BOTHER TO TEND IT. 20 00:03:30,000 --> 00:03:32,000 DARE YE NOT SAY HER NAME? 21 00:03:32,000 --> 00:03:33,000 NOBODY'S SAYING HER NAME. 22 00:03:33,000 --> 00:03:35,000 OR IS IT BAD LUCK? 23 00:03:35,000 --> 00:03:37,000 EUSTACIA. 24 00:03:37,000 --> 00:03:38,000 EUSTACIA VYE. 25 00:03:38,000 --> 00:03:40,000 I'M NOT AFRAID TO SAY HER NAME. 26 00:03:40,000 --> 00:03:43,000 CHARLEY, YOU DO CHORES FOR HER GRANDFATHER. 27 00:03:43,000 --> 00:03:47,000 MAYBE SHE'S GOT YOU UNDER HER SPELL, TOO. 28 00:03:47,000 --> 00:03:48,000 EVIL THINGS HAVE HAPPENED 29 00:03:48,000 --> 00:03:51,000 SINCE SHE COME TWO YEAR AGO-- 30 00:03:51,000 --> 00:03:53,000 GARDEN CROPS WITHERED, 31 00:03:53,000 --> 00:03:55,000 COWS WITH THE BLOAT. 32 00:03:55,000 --> 00:03:56,000 LOOK! 33 00:03:56,000 --> 00:03:59,000 SHE'S CONJURED UP A WEE GHOST 34 00:03:59,000 --> 00:04:01,000 TO FEED HER FIRE. 35 00:04:01,000 --> 00:04:03,000 THAT'S NO WEE GHOST. 36 00:04:03,000 --> 00:04:05,000 THAT'S MY SON JOHNNY. 37 00:04:05,000 --> 00:04:07,000 SHE'LL PUT A SPELL ON HIM FOR SURE, 38 00:04:07,000 --> 00:04:11,000 JUST LIKE ALL THE OTHER YOUNG MEN ROUND HERE. 39 00:04:11,000 --> 00:04:12,000 YOU OUGHT TO GET YOURSELF MARRIED. 40 00:04:12,000 --> 00:04:16,000 SINGLE SLEEPERS ARE THE ONES WHO SEE GHOSTS. 41 00:04:18,000 --> 00:04:20,000 MATTHEW, MARK, LUKE, AND JOHN-- 42 00:04:20,000 --> 00:04:24,000 THAT'S THE BED THAT I LIE ON. 43 00:04:33,000 --> 00:04:36,000 DIGGORY VENN. 44 00:04:36,000 --> 00:04:38,000 YOU GAVE US A START, REDDLEMAN. 45 00:04:38,000 --> 00:04:39,000 THAT SO? 46 00:04:39,000 --> 00:04:42,000 MY VAN'S ON THE ROAD BELOW. 47 00:04:42,000 --> 00:04:45,000 I'M LOOKING FOR THE DIRECTION OF BLOOMS-END 48 00:04:45,000 --> 00:04:47,000 OR THE QUIET WOMAN INN. 49 00:04:47,000 --> 00:04:49,000 IT'S BEEN NEARLY TWO YEARS 50 00:04:49,000 --> 00:04:51,000 SINCE I'VE BEEN THROUGH HERE. 51 00:04:51,000 --> 00:04:53,000 THE NORTH ROAD WILL TAKE YOU TO BOTH, 52 00:04:53,000 --> 00:04:57,000 BUT THE INN WON'T BE SERVING TONIGHT. 53 00:04:57,000 --> 00:04:59,000 DAMON WILDEVE GOT MARRIED TODAY. 54 00:04:59,000 --> 00:05:01,000 WE'LL BE TAKING THE ROAD OURSELVES 55 00:05:01,000 --> 00:05:04,000 TO SERENADE THE NEWLY MARRIEDS. 56 00:05:04,000 --> 00:05:07,000 WELL, I THANK YOU FOR THE DIRECTIONS. 57 00:05:07,000 --> 00:05:09,000 GOOD NIGHT TO YOU ALL. 58 00:05:09,000 --> 00:05:10,000 AYE. AYE. 59 00:05:10,000 --> 00:05:11,000 GOOD NIGHT, AYE. 60 00:05:11,000 --> 00:05:14,000 THE REDDLEMAN'S COMING HERE IS A SIGN. 61 00:05:14,000 --> 00:05:19,000 LAST NIGHT, I HAD A DREAM OF A DEATH'S HEAD. 62 00:05:19,000 --> 00:05:20,000 NO. 63 00:05:20,000 --> 00:05:22,000 TWO YEARS AGO, 64 00:05:22,000 --> 00:05:26,000 DIGGORY VENN WAS AS WHITE-SKINNED AS ANY OF US 65 00:05:26,000 --> 00:05:29,000 TILL HE TOOK UP SELLING REDDLE TO SHEEPMEN. 66 00:05:29,000 --> 00:05:32,000 POPPING UP LIKE THAT OUT OF THE FIRE-- 67 00:05:32,000 --> 00:05:34,000 IT WAS A SIGN, I SAY. 68 00:05:38,000 --> 00:05:39,000 HELLO? 69 00:05:39,000 --> 00:05:43,000 EVERYTHING ALL RIGHT IN THERE? 70 00:05:56,000 --> 00:05:57,000 HELLO THERE. 71 00:05:57,000 --> 00:06:00,000 IT'S CAPTAIN VYE, ISN'T IT? 72 00:06:00,000 --> 00:06:02,000 AYE. REDDLEMAN. 73 00:06:02,000 --> 00:06:03,000 ISN'T THAT THOMASIN YEOBRIGHT, 74 00:06:03,000 --> 00:06:08,000 THE MAIDEN FROM BLOOMS-END WHO WAS TO BE MARRIED TODAY? 75 00:06:08,000 --> 00:06:10,000 I TAKE, BY YOUR LOOK, 76 00:06:10,000 --> 00:06:12,000 THE BRIDEGROOM'S NOT ABOARD. 77 00:06:12,000 --> 00:06:13,000 THE SIMPLE TRUTH IS 78 00:06:13,000 --> 00:06:16,000 THERE WAS SOME MISTAKE IN THE MARRIAGE LICENSE, 79 00:06:16,000 --> 00:06:18,000 WHICH CAN EASILY BE CORRECTED. 80 00:06:18,000 --> 00:06:20,000 OR MAYBE YOU'RE A KIDNAPPER, 81 00:06:20,000 --> 00:06:22,000 AND YOU'VE STOLEN HER FOR YOUR OWN. 82 00:06:22,000 --> 00:06:27,000 WHAT MAKES YOU SO FULL OF ROMANTIC NOTIONS, EH? 83 00:06:27,000 --> 00:06:31,000 YOUR GRANDDAUGHTER EUSTACIA VYE CAME TO LIVE WITH YOU. 84 00:06:31,000 --> 00:06:33,000 SHE'S FROM BUDMOUTH, ISN'T SHE? 85 00:06:33,000 --> 00:06:35,000 AH, THE YOUNG ONES TODAY... 86 00:06:35,000 --> 00:06:37,000 NIGHT, REDDLEMAN. 87 00:06:37,000 --> 00:06:39,000 GOOD NIGHT, CAPTAIN. 88 00:06:45,000 --> 00:06:46,000 DIGGORY... 89 00:06:46,000 --> 00:06:48,000 HMM? 90 00:06:50,000 --> 00:06:52,000 WAS IT JUST MY GOOD FORTUNE 91 00:06:52,000 --> 00:06:54,000 YOU HAPPENED ALONG TO GIVE ME A RIDE? 92 00:06:54,000 --> 00:06:58,000 I'M A POOR ONE TO ASK ABOUT GOOD FORTUNE. 93 00:06:58,000 --> 00:07:03,000 YOU HAVE EVERY RIGHT TO TAKE PLEASURE IN MY MISFORTUNE. 94 00:07:03,000 --> 00:07:06,000 GO AHEAD. 95 00:07:06,000 --> 00:07:08,000 I COULD NEVER TAKE PLEASURE 96 00:07:08,000 --> 00:07:12,000 IN A DAY THAT WAS BAD FOR YOU. 97 00:07:17,000 --> 00:07:19,000 THOMASIN. 98 00:07:19,000 --> 00:07:21,000 WALK ON. 99 00:07:28,000 --> 00:07:31,000 EUSTACIA. 100 00:07:31,000 --> 00:07:34,000 I LEARNED SOMETHING ON THE ROAD HOME THAT'LL SHOCK YE. 101 00:07:34,000 --> 00:07:36,000 NOT LIKELY, IN THIS DULL PLACE. 102 00:07:36,000 --> 00:07:38,000 THOMASIN YEOBRIGHT FROM BLOOMS-END-- 103 00:07:38,000 --> 00:07:41,000 HER MARRIAGE TODAY NEVER CAME OFF. 104 00:07:41,000 --> 00:07:44,000 SOMETHING ABOUT A MIX-UP WITH THE LICENSE. 105 00:07:44,000 --> 00:07:47,000 AYE, THAT'S DAMON WILDEVE FOR YE. 106 00:07:47,000 --> 00:07:50,000 I HEAR HE'S FREE AND EASY WITH EVERY FEMALE 107 00:07:50,000 --> 00:07:52,000 WITHOUT GAPS IN HER SMILE. 108 00:07:52,000 --> 00:07:53,000 NONE OF THEM MIND. 109 00:07:53,000 --> 00:07:56,000 LIFE IS SO DRAB IN THIS AWFUL HEATH. 110 00:07:56,000 --> 00:07:59,000 A MAN OF ROGUISH REPUTATION 111 00:07:59,000 --> 00:08:00,000 IS LIKE A FRESH BREEZE. 112 00:08:00,000 --> 00:08:02,000 I EXPECT A LETTER ANY DAY 113 00:08:02,000 --> 00:08:04,000 SAYING WE'RE NOT BLOOD RELATIONS. 114 00:08:04,000 --> 00:08:07,000 ENOUGH OF THAT FIRE NOW. 115 00:08:14,000 --> 00:08:17,000 I DON'T WANT THE FIRE, ANYWAY. 116 00:08:17,000 --> 00:08:19,000 I'M SUPPOSED TO BE HOME. 117 00:08:19,000 --> 00:08:20,000 KEEP THE FIRE UP, 118 00:08:20,000 --> 00:08:24,000 AND I'LL GIVE YOU THE CROOKED SIXPENCE. 119 00:08:31,000 --> 00:08:32,000 STEADY NOW. 120 00:08:44,000 --> 00:08:46,000 THIS ISN'T THE PLACE FOR YOU, REDDLEMAN. 121 00:08:46,000 --> 00:08:50,000 REJECTED SUITORS DON'T BELONG OUTSIDE THE BRIDAL CHAMBER 122 00:08:50,000 --> 00:08:51,000 ON THE WEDDING NIGHT. 123 00:08:53,000 --> 00:08:55,000 THOMASIN. 124 00:08:55,000 --> 00:08:58,000 WHAT ARE YOU DOING HERE-- WITH HIM? 125 00:08:58,000 --> 00:08:59,000 PLEASE, AUNT. 126 00:08:59,000 --> 00:09:02,000 THANK YOU, DIGGORY, FOR BRINGING ME BACK. 127 00:09:02,000 --> 00:09:03,000 WHAT'S HAPPENED? 128 00:09:03,000 --> 00:09:05,000 THERE'S BEEN NO WEDDING. 129 00:09:05,000 --> 00:09:06,000 NO WEDDING? 130 00:09:06,000 --> 00:09:09,000 IT'S BEEN THE WORST DAY OF MY LIFE. 131 00:09:09,000 --> 00:09:11,000 OH, MY DEAR. 132 00:09:11,000 --> 00:09:14,000 HOW COULD HE DO THIS? 133 00:09:14,000 --> 00:09:15,000 I CAN EXPLAIN. 134 00:09:15,000 --> 00:09:18,000 IT'S FROM MR. WILDEVE'S LIPS I WANT THE ANSWERS. 135 00:09:18,000 --> 00:09:20,000 YOU COME WITH ME. 136 00:09:23,000 --> 00:09:26,000 I'M SO SORRY YOU RAN FROM THE CHURCH 137 00:09:26,000 --> 00:09:28,000 IN SUCH ANGER THIS MORNING. 138 00:09:28,000 --> 00:09:30,000 I REALLY WAS NOT TO BLAME. 139 00:09:30,000 --> 00:09:34,000 I THINK YOU WERE VERY MUCH TO BLAME. 140 00:09:34,000 --> 00:09:36,000 IT WAS A STUPID MISTAKE. 141 00:09:36,000 --> 00:09:39,000 I GOT THE LICENSE IN BUDMOUTH. 142 00:09:39,000 --> 00:09:41,000 IT WASN'T VALID IN ANGLEBURY, 143 00:09:41,000 --> 00:09:45,000 AND, UM, WELL... THAT'S THE WHOLE OF IT. 144 00:09:45,000 --> 00:09:46,000 INDEED IT IS NOT. 145 00:09:46,000 --> 00:09:49,000 'TIS A GREAT INJURY TO MY FAMILY AND TO ME, 146 00:09:49,000 --> 00:09:51,000 AND ONE I CANNOT EASILY FORGIVE. 147 00:09:51,000 --> 00:09:55,000 FOR SOMEONE WHO SO STRONGLY OBJECTED TO THE MARRIAGE 148 00:09:55,000 --> 00:09:57,000 BECAUSE YOU THOUGHT ME UNWORTHY, 149 00:09:57,000 --> 00:09:59,000 YOU SEEM UNCOMMONLY PUT OUT. 150 00:09:59,000 --> 00:10:02,000 DAMON, PLEASE DON'T MAKE THINGS WORSE. 151 00:10:02,000 --> 00:10:05,000 THERE'S NO NEED TO ADOPT THAT TONE WITH ME. 152 00:10:05,000 --> 00:10:07,000 WHILE THOMASIN LIVES UNDER MY ROOF, 153 00:10:07,000 --> 00:10:10,000 SHE'S UNDER MY PROTECTION... 154 00:10:10,000 --> 00:10:14,000 AND SHE WILL ALWAYS HAVE MY LOVE. 155 00:10:17,000 --> 00:10:19,000 HMM. 156 00:10:20,000 --> 00:10:23,000 TAMSIE, MINE... 157 00:10:35,000 --> 00:10:37,000 I REALLY DO HAVE EVERY INTENTION 158 00:10:37,000 --> 00:10:40,000 OF COMPLETING THE MARRIAGE. 159 00:10:48,000 --> 00:10:49,000 OH, NO. 160 00:10:49,000 --> 00:10:53,000 ♪ THE KING CALLED DOWN HIS NOBLES ALL ♪ 161 00:10:53,000 --> 00:10:56,000 ♪ BY ONE, BY TWO, BY THREE... ♪ 162 00:10:56,000 --> 00:10:57,000 MY DEAR. 163 00:10:57,000 --> 00:11:00,000 IF MY SON CLYM WERE HOME, 164 00:11:00,000 --> 00:11:03,000 YOU WOULD NOT BE SO CARELESS 165 00:11:03,000 --> 00:11:04,000 WITH HIS COUSIN'S FEELINGS. 166 00:11:04,000 --> 00:11:06,000 COME. WE'RE GOING HOME. 167 00:11:06,000 --> 00:11:09,000 HE CAN TELL THEM YOU'VE RETIRED. 168 00:11:10,000 --> 00:11:13,000 WE'LL TALK MORE OF THIS LATER. 169 00:11:13,000 --> 00:11:15,000 ♪ UPON THE ROAD MAY BE ♪ 170 00:11:15,000 --> 00:11:18,000 ♪ OH, YOU'LL PUT ON A GREAT, BRIGHT GOWN ♪ 171 00:11:18,000 --> 00:11:21,000 ♪ AND I'LL PUT ON ANOTHER ♪ 172 00:11:21,000 --> 00:11:24,000 ♪ AND WE WILL AWAY TO THE LONDON TOWN ♪ 173 00:11:24,000 --> 00:11:27,000 ♪ LIKE PRIORS BOTH TOGETHER ♪ 174 00:11:27,000 --> 00:11:30,000 ♪ OH, NO, OH, NO, MY LIEGE, MY KING ♪ 175 00:11:30,000 --> 00:11:33,000 ♪ SUCH THINGS CAN NEVER BE... ♪ 176 00:11:33,000 --> 00:11:36,000 YAY! HOORAY! HURRAH! YAY! 177 00:11:36,000 --> 00:11:40,000 WE'VE COME TO SERENADE YOUR WEDDING, 178 00:11:40,000 --> 00:11:43,000 NOW THAT ALL THE BONFIRES HAVE DIED DOWN. 179 00:11:43,000 --> 00:11:47,000 ♪ AND BY THE STARS SO HIGH... ♪ 180 00:11:47,000 --> 00:11:50,000 ALL BUT ONE, I SEE. 181 00:11:55,000 --> 00:11:57,000 [WHISTLE LIKE A BIRDCALL] 182 00:11:59,000 --> 00:12:00,000 HERE. 183 00:12:01,000 --> 00:12:04,000 THERE'S YOUR CROOKED SIXPENCE. 184 00:12:04,000 --> 00:12:05,000 NOW HURRY HOME NOW. 185 00:12:05,000 --> 00:12:08,000 YOU DID WELL WITH THE FIRE. 186 00:12:15,000 --> 00:12:17,000 I'VE COME. 187 00:12:17,000 --> 00:12:19,000 YOU GIVE ME NO PEACE. 188 00:12:19,000 --> 00:12:21,000 HOW CLEVER YOU ARE, DAMON, 189 00:12:21,000 --> 00:12:24,000 TO INVENT SOMETHING ABOUT THE LICENSE 190 00:12:24,000 --> 00:12:25,000 TO PUT OFF THE MARRIAGE. 191 00:12:25,000 --> 00:12:26,000 YOU LOVE ME BEST. 192 00:12:26,000 --> 00:12:29,000 WRONG. IF NOT FOR THE WRONG TOWN, 193 00:12:29,000 --> 00:12:31,000 I'D BE A MARRIED MAN TONIGHT. 194 00:12:31,000 --> 00:12:35,000 YOU'D HAVE ONLY A 10-YEAR-OLD BOY TO TEND YOUR FIRE. 195 00:12:35,000 --> 00:12:38,000 IS THIS THE FACE YOU'D CAST ASIDE 196 00:12:38,000 --> 00:12:40,000 FOR THE SAKE OF THOMASIN YEOBRIGHT? 197 00:12:40,000 --> 00:12:44,000 IT WAS TO SAVE MY SANITY. 198 00:12:44,000 --> 00:12:47,000 YOU MIGHT GO TO SLEEP WITH THOMASIN, 199 00:12:47,000 --> 00:12:50,000 BUT WHICH FACE WILL YOU SEE IN YOUR DREAMS? 200 00:12:50,000 --> 00:12:51,000 THEN I'LL ASK AGAIN. 201 00:12:51,000 --> 00:12:55,000 WILL YOU LEAVE THIS DOG HOLE OF AN ENGLAND 202 00:12:55,000 --> 00:12:56,000 AND COME WITH ME? 203 00:12:56,000 --> 00:13:00,000 YOU KNOW, I FIND THE IDEA OF PARIS VERY EXCITING. 204 00:13:00,000 --> 00:13:02,000 YOU WILL, THEN? 205 00:13:04,000 --> 00:13:07,000 BUT I HAVE THIS GREAT FEAR NOW 206 00:13:07,000 --> 00:13:10,000 THAT THE EXCITEMENT MIGHT NOT LAST. 207 00:13:10,000 --> 00:13:14,000 I ONCE GAVE YOU SLEEPLESS NIGHTS. 208 00:13:14,000 --> 00:13:15,000 ADMIT IT. 209 00:13:15,000 --> 00:13:17,000 WHAT HAPPENED? 210 00:13:17,000 --> 00:13:18,000 ASK ME AGAIN... 211 00:13:18,000 --> 00:13:20,000 WHEN THE HURT OF TODAY HAS HEALED. 212 00:13:20,000 --> 00:13:24,000 THERE ARE TIMES I WISH YOU'D NEVER COME TO EGDON HEATH. 213 00:13:24,000 --> 00:13:28,000 THERE'S NEVER A TIME THAT I WISH I HAD. 214 00:13:28,000 --> 00:13:30,000 'TIS MY CROSS, 215 00:13:30,000 --> 00:13:31,000 MY MISERY, 216 00:13:31,000 --> 00:13:33,000 AND IT SHALL BE MY DEATH. 217 00:13:33,000 --> 00:13:36,000 WHAT IS IT YOU REALLY WANT, EUSTACIA? 218 00:13:39,000 --> 00:13:41,000 TO BE LOVED... 219 00:13:43,000 --> 00:13:47,000 TO MADNESS. 220 00:13:47,000 --> 00:13:49,000 RIDDLES. 221 00:13:52,000 --> 00:13:54,000 YOU MAY TEMPT ME, 222 00:13:54,000 --> 00:13:57,000 BUT I WON'T GIVE MYSELF TO YOU ANYMORE. 223 00:13:57,000 --> 00:13:59,000 YOU'VE SAID AS MUCH BEFORE. 224 00:13:59,000 --> 00:14:02,000 I NEED TIME TO THINK. 225 00:14:02,000 --> 00:14:04,000 HOW LONG? 226 00:14:05,000 --> 00:14:07,000 MAYBE YOU ARE A WITCH. 227 00:14:07,000 --> 00:14:11,000 YOU CAN KEEP ME IN PAIN UNTIL MORNING. 228 00:14:12,000 --> 00:14:16,000 KISS ME GOOD NIGHT. 229 00:14:22,000 --> 00:14:24,000 HERE. 230 00:14:25,000 --> 00:14:28,000 SUFFER ONLY UNTIL YOU GET HOME. 231 00:15:09,000 --> 00:15:12,000 SO, YOU REMEMBERED WHERE HOME WAS. 232 00:15:12,000 --> 00:15:13,000 WHERE HAVE YOU BEEN? 233 00:15:13,000 --> 00:15:16,000 TENDING THE FIRE FOR MISS EUSTACIA. 234 00:15:16,000 --> 00:15:18,000 AS IF I DIDN'T KNOW. 235 00:15:18,000 --> 00:15:21,000 SHE HAS YOU UNDER A SPELL. 236 00:15:21,000 --> 00:15:22,000 NOT SO. 237 00:15:22,000 --> 00:15:24,000 SEE HERE. 238 00:15:25,000 --> 00:15:27,000 A CROOKED SIXPENCE? 239 00:15:27,000 --> 00:15:30,000 A CHARM TO WARD OFF THE DEVIL 240 00:15:30,000 --> 00:15:32,000 IS WHAT SHE GIVE YE. 241 00:15:49,000 --> 00:15:50,000 EUSTACIA. 242 00:15:50,000 --> 00:15:52,000 BEST COME IN. 243 00:15:53,000 --> 00:15:56,000 ANYTHING YOU WISH BEFORE YOU GO TO BED? 244 00:15:56,000 --> 00:15:58,000 TO DIE IN MY SLEEP 245 00:15:58,000 --> 00:16:03,000 AND NOT FACE ANOTHER DAY ON THIS GRAVEYARD OF A HEATH. 246 00:16:03,000 --> 00:16:05,000 I... 247 00:16:05,000 --> 00:16:08,000 I KNOW. 248 00:16:08,000 --> 00:16:10,000 I'LL NOT ASK WHO YOU WERE TALKING TO. 249 00:16:10,000 --> 00:16:14,000 ONLY I HOPE IT HAS NOTHING TO DO WITH THE SADNESS 250 00:16:14,000 --> 00:16:16,000 OF THOMASIN YEOBRIGHT TONIGHT. 251 00:16:18,000 --> 00:16:22,000 DO YOU THINK I'M A WITCH, GRANDFATHER? 252 00:16:24,000 --> 00:16:27,000 IF YOU ARE, THERE ISN'T A PRETTIER ONE. 253 00:17:07,000 --> 00:17:10,000 YOU MAKE SURE THAT'S STACKED NEATLY NOW. 254 00:17:10,000 --> 00:17:11,000 COME ON, CHARLEY. 255 00:17:11,000 --> 00:17:13,000 ME OLD FRIEND CLYM YEOBRIGHT'S 256 00:17:13,000 --> 00:17:15,000 COMING HOME FOR THE HOLIDAYS. 257 00:17:15,000 --> 00:17:16,000 FIVE YEARS. 258 00:17:16,000 --> 00:17:20,000 HIS OLD FRIENDS WILL SEEM AS COMMON AS MUCK NOW. 259 00:17:20,000 --> 00:17:21,000 I WOULDN'T WONDER. 260 00:17:21,000 --> 00:17:23,000 MANAGER TO A DIAMOND MERCHANT. 261 00:17:23,000 --> 00:17:25,000 'TIS A BLAZING GREAT BUSINESS 262 00:17:25,000 --> 00:17:26,000 HE BELONGS TO IN PARIS. 263 00:17:26,000 --> 00:17:28,000 THE DEVIL WASN'T BORN THERE, 264 00:17:28,000 --> 00:17:31,000 BUT THAT'S WHERE HE GREW UP. 265 00:17:31,000 --> 00:17:33,000 I'LL BE PERFORMING WITH THE MUMMERS 266 00:17:33,000 --> 00:17:35,000 FOR MR. CLYM AT THE YEOBRIGHTS'. 267 00:17:35,000 --> 00:17:37,000 WE'VE NOT BEEN INVITED. 268 00:17:37,000 --> 00:17:38,000 THAT'S A SHAME. 269 00:17:38,000 --> 00:17:40,000 HOW DO YOU FALL INTO THE BUSINESS OF DIAMONDS? 270 00:17:40,000 --> 00:17:43,000 YOU DON'T FALL IN. YOU CLIMB UP. 271 00:17:43,000 --> 00:17:46,000 CLYM YEOBRIGHT WAS ALWAYS A PERUSING MAN-- 272 00:17:46,000 --> 00:17:47,000 BOOKS UPON BOOKS. 273 00:17:47,000 --> 00:17:49,000 HE'S WONDERFULLY CLEVER. 274 00:17:49,000 --> 00:17:51,000 I'D LIKE ALL THAT'S UNDER HIS HAIR. 275 00:17:51,000 --> 00:17:53,000 TOO MUCH SCHOOLING THESE DAYS. 276 00:17:53,000 --> 00:17:55,000 COME TO THINK OF IT, 277 00:17:55,000 --> 00:17:57,000 CLYM YEOBRIGHT AND EUSTACIA 278 00:17:57,000 --> 00:17:59,000 WOULD MAKE A PRETTY PIGEON PAIR. 279 00:17:59,000 --> 00:18:01,000 COULDN'T BE A BETTER COUPLE 280 00:18:01,000 --> 00:18:03,000 IF THEY WERE MADE ON PURPOSE. 281 00:18:03,000 --> 00:18:06,000 THEY'D LOOK VERY NATTY, ARM-IN-CROOK TOGETHER, 282 00:18:06,000 --> 00:18:09,000 IF HE'S THE WELL-FAVORED FELLOW HE USED TO BE. 283 00:18:09,000 --> 00:18:11,000 FANCY PARIS CLOTHES. 284 00:18:11,000 --> 00:18:12,000 THEY SAY HE TALKS FRENCH 285 00:18:12,000 --> 00:18:15,000 AS FAST AS A MAIDEN COULD EAT BLACKBERRIES. 286 00:18:15,000 --> 00:18:19,000 TOO BAD HE'S COMING HOME WITH THIS BAD TROUBLE 287 00:18:19,000 --> 00:18:20,000 ABOUT HIS COUSIN THOMASIN. 288 00:18:20,000 --> 00:18:22,000 AYE. POOR THOMASIN. 289 00:18:22,000 --> 00:18:26,000 HER HEART HAS ACHED ENOUGH ABOUT IT. 290 00:18:56,000 --> 00:18:58,000 PROMISE YOU WON'T TELL CLYM 291 00:18:58,000 --> 00:19:00,000 WHEN HE COMES HOME TOMORROW. 292 00:19:00,000 --> 00:19:05,000 YOUR FACE WILL TELL HIM. I WON'T SAY A WORD. 293 00:19:07,000 --> 00:19:11,000 I'LL BE CHEERFUL FOR HIS SAKE. 294 00:19:17,000 --> 00:19:19,000 I WISH YOU'D SET YOUR HEART 295 00:19:19,000 --> 00:19:22,000 ON SOMEONE MORE WORTHY THAN MR. WILDEVE. 296 00:19:22,000 --> 00:19:25,000 YOU DON'T SEE HIM AS I DO. 297 00:19:25,000 --> 00:19:27,000 I MAKE ALLOWANCES FOR HIS WEAKNESSES 298 00:19:27,000 --> 00:19:30,000 FOR THE SAKE OF HIS VIRTUES. 299 00:19:30,000 --> 00:19:32,000 VIRTUES? HA HA! 300 00:19:32,000 --> 00:19:33,000 OH, SUCH VIRTUES. 301 00:19:33,000 --> 00:19:36,000 HE LEAVES YOU TO SIT HERE LIKE THIS 302 00:19:36,000 --> 00:19:37,000 WEEK AFTER WEEK 303 00:19:37,000 --> 00:19:39,000 WITH ONE LAME EXCUSE AFTER ANOTHER-- 304 00:19:39,000 --> 00:19:42,000 THE MAGISTRATE IS GONE, THE VICAR IS ABSENT. 305 00:19:42,000 --> 00:19:44,000 PLEASE, AUNT. 306 00:19:50,000 --> 00:19:52,000 YOU DON'T GO OUT. 307 00:19:52,000 --> 00:19:54,000 YOU DON'T HEAR THE TALK. 308 00:19:54,000 --> 00:19:56,000 THEY'RE SAYING THAT EUSTACIA VYE 309 00:19:56,000 --> 00:19:58,000 IS THE CAUSE OF IT ALL, 310 00:19:58,000 --> 00:20:00,000 THAT HE STILL SEES HER, 311 00:20:00,000 --> 00:20:03,000 THAT SHE'S PUT A CURSE ON HIM. 312 00:20:03,000 --> 00:20:06,000 DAMON MEANS TO MARRY ME. I KNOW IT. 313 00:20:10,000 --> 00:20:15,000 IT WAS HARD ENOUGH THINKING OF YOU AS HIS BRIDE... 314 00:20:15,000 --> 00:20:19,000 WITHOUT HAVING YOU BEHAVE LIKE HIS WIDOW. 315 00:20:22,000 --> 00:20:24,000 ME OLD FRIEND CLYM YEOBRIGHT 316 00:20:24,000 --> 00:20:27,000 IS COMING HOME FOR THE HOLIDAYS. 317 00:20:27,000 --> 00:20:29,000 YOU KNOW, SAM, COME TO THINK OF IT, 318 00:20:29,000 --> 00:20:31,000 CLYM YEOBRIGHT AND EUSTACIA 319 00:20:31,000 --> 00:20:34,000 WOULD MAKE A PRETTY PIGEON PAIR. 320 00:20:44,000 --> 00:20:46,000 AHEM. 321 00:20:47,000 --> 00:20:48,000 GOOD DAY, MR. VENN. 322 00:20:48,000 --> 00:20:50,000 MAY I PASS, PLEASE? 323 00:20:50,000 --> 00:20:53,000 IT'S YOU I CAME FOR A LOOK AT. 324 00:20:53,000 --> 00:20:56,000 OH. AND WHAT MIGHT A REDDLEMAN 325 00:20:56,000 --> 00:20:58,000 THINK HE COULD FIND IN ME? 326 00:20:58,000 --> 00:21:00,000 IN SIMPLE TERMS, MISS VYE, 327 00:21:00,000 --> 00:21:05,000 I CAME TO BEG THAT YOU RELEASE YOUR HOLD OVER DAMON WILDEVE 328 00:21:05,000 --> 00:21:07,000 SO HE MAY MARRY THOMASIN. 329 00:21:07,000 --> 00:21:11,000 HOW DARE YOU SPEAK TO ME LIKE THIS? 330 00:21:11,000 --> 00:21:16,000 IT'S NOT YOUR FAULT YOU HAVE SUCH POWER OVER MEN. 331 00:21:16,000 --> 00:21:19,000 IT'S A BEAUTY AND MANNER YOU WERE BORN WITH. 332 00:21:19,000 --> 00:21:22,000 YOU ONCE LOVED THOMASIN YOURSELF. 333 00:21:22,000 --> 00:21:24,000 NOW YOU ACT AS IF 334 00:21:24,000 --> 00:21:27,000 YOU WANT ANOTHER MAN TO HAVE HER. 335 00:21:28,000 --> 00:21:31,000 IF SHE CANNOT BE HAPPY WITHOUT MR. WILDEVE, 336 00:21:31,000 --> 00:21:36,000 THEN I DO MY DUTY IN HELPING HER TO GET HIM. 337 00:21:36,000 --> 00:21:39,000 DO YOU AGREE TO GIVE HIM UP? 338 00:21:39,000 --> 00:21:41,000 I AGREE TO NOTHING. 339 00:21:41,000 --> 00:21:44,000 MAKE WAY, PLEASE. 340 00:21:47,000 --> 00:21:49,000 MISS VYE... 341 00:21:51,000 --> 00:21:52,000 YOU'VE HEARD CLYM YEOBRIGHT'S 342 00:21:52,000 --> 00:21:56,000 RETURNING HOME FOR A VISIT? 343 00:21:56,000 --> 00:21:58,000 IF HE LEARNS OF THE SHAME 344 00:21:58,000 --> 00:22:01,000 HIS COUSIN THOMASIN IS GOING THROUGH, 345 00:22:01,000 --> 00:22:03,000 HE'S ALSO SURE TO LEARN 346 00:22:03,000 --> 00:22:06,000 WHO'S AT LEAST PARTLY THE CAUSE OF IT. 347 00:22:08,000 --> 00:22:11,000 REDDLEMAN. 348 00:22:12,000 --> 00:22:15,000 NO DOUBT MRS. YEOBRIGHT IS URGING DAMON WILDEVE 349 00:22:15,000 --> 00:22:18,000 TO GO ON WITH THIS MARRIAGE WITH THOMASIN. 350 00:22:18,000 --> 00:22:19,000 IF YOU SAY SO. 351 00:22:19,000 --> 00:22:22,000 THEN MRS. YEOBRIGHT SHOULD TELL HIM 352 00:22:22,000 --> 00:22:23,000 THERE'S SOMEONE ELSE 353 00:22:23,000 --> 00:22:25,000 WHO ALSO WANTS TO MARRY THOMASIN-- 354 00:22:25,000 --> 00:22:26,000 YOU. 355 00:22:26,000 --> 00:22:32,000 MRS. YEOBRIGHT HAS NEVER CONSIDERED ME GOOD ENOUGH. 356 00:22:32,000 --> 00:22:37,000 SHE DOESN'T HAVE TO USE YOUR NAME. 357 00:22:39,000 --> 00:22:44,000 THIS DEVILISH RED THAT YOU FIND SO OFFENDING... 358 00:22:44,000 --> 00:22:46,000 WOULD GRADUALLY DISAPPEAR, YOU KNOW, 359 00:22:46,000 --> 00:22:50,000 IF I WENT BACK TO FARMING. 360 00:22:50,000 --> 00:22:53,000 PERHAPS IT'S NOT A GOOD IDEA. 361 00:22:53,000 --> 00:22:56,000 I'LL SPEAK TO HER. 362 00:22:58,000 --> 00:23:01,000 AND I THANK YOU. 363 00:23:01,000 --> 00:23:04,000 I DON'T FIND YOU OFFENSIVE, 364 00:23:04,000 --> 00:23:07,000 JUST UNUSUAL. 365 00:23:39,000 --> 00:23:43,000 I CAN'T GIVE YOU AN ANSWER YET. I NEED TIME. 366 00:23:43,000 --> 00:23:45,000 I'VE GIVEN YOU THREE WEEKS. 367 00:23:45,000 --> 00:23:46,000 MRS. YEOBRIGHT TOLD ME 368 00:23:46,000 --> 00:23:50,000 SOMEBODY ELSE HAS ASKED TO MARRY THOMASIN. 369 00:23:50,000 --> 00:23:52,000 AND AM I SUPPOSED TO ACCEPT 370 00:23:52,000 --> 00:23:53,000 THOMASIN YEOBRIGHT'S CASTOFFS? 371 00:23:53,000 --> 00:23:55,000 YOU KNOW THAT THAT'S NOT SO. 372 00:23:55,000 --> 00:23:57,000 COME WITH ME TO BRISTOL. 373 00:23:57,000 --> 00:24:00,000 WE'LL MARRY AND TURN OUR BACKS ON ENGLAND. 374 00:24:00,000 --> 00:24:02,000 THE YEOBRIGHTS CAN BE DAMNED. 375 00:24:02,000 --> 00:24:05,000 A WEEK. GIVE ME A WEEK. 376 00:24:05,000 --> 00:24:06,000 CLYM YEOBRIGHT IS DUE HOME TOMORROW. 377 00:24:06,000 --> 00:24:10,000 THOMASIN AND HER AUNT WILL BE OCCUPIED WITH HIM. 378 00:24:10,000 --> 00:24:11,000 THIS WILL BE OUR CHANCE. 379 00:24:11,000 --> 00:24:15,000 I HEAR CLYM YEOBRIGHT'S A YOUNG MAN WHOSE STAR IS ON THE RISE, 380 00:24:15,000 --> 00:24:17,000 WELL-FAVORED, WELL-READ, 381 00:24:17,000 --> 00:24:20,000 MANAGER OF A DIAMOND BUSINESS IN PARIS. 382 00:24:20,000 --> 00:24:23,000 A GRAND LIFE IN THE MOST GLORIOUS CITY ON EARTH. 383 00:24:23,000 --> 00:24:26,000 AND WHAT HAS THAT TO DO WITH US? 384 00:24:26,000 --> 00:24:29,000 I'VE HEARD IT SAID CLYM YEOBRIGHT AND I 385 00:24:29,000 --> 00:24:32,000 "WOULD MAKE A PRETTY PIGEON PAIR"-- 386 00:24:32,000 --> 00:24:36,000 IDLE TALK FROM IGNORANT PEOPLE, EUSTACIA. 387 00:24:36,000 --> 00:24:39,000 I CAN'T LIVE IN TORMENT LIKE THIS. 388 00:24:39,000 --> 00:24:42,000 EITHER TELL ME YES... 389 00:24:42,000 --> 00:24:45,000 OR SET ME FREE. 390 00:24:51,000 --> 00:24:53,000 OH, NO. 391 00:24:54,000 --> 00:24:59,000 YOU MUST NOT KISS ME UNTIL I'VE MADE UP MY MIND. 392 00:25:15,000 --> 00:25:19,000 OH, CLYM, I CAN'T BELIEVE YOU'RE REALLY HOME. 393 00:25:19,000 --> 00:25:23,000 WELL, HERE I AM, AT LAST. 394 00:25:23,000 --> 00:25:25,000 JUST IN TIME FOR CHRISTMAS. 395 00:25:25,000 --> 00:25:26,000 WE PICKED THE HOLLY, 396 00:25:26,000 --> 00:25:28,000 AND THOMASIN HAS BROUGHT DOWN 397 00:25:28,000 --> 00:25:31,000 THE CHOICEST APPLES FROM STORAGE, JUST FOR YOU. 398 00:25:31,000 --> 00:25:34,000 THE RIBSTONES-- YOUR FAVORITES. 399 00:25:34,000 --> 00:25:36,000 WE MUST SOUND VERY RUSTIC 400 00:25:36,000 --> 00:25:38,000 TO THIS GENTLEMAN FROM PARIS. 401 00:25:38,000 --> 00:25:41,000 AH, A FINE WINTER'S DAY-- 402 00:25:41,000 --> 00:25:42,000 CRISP APPLES WAITING, 403 00:25:42,000 --> 00:25:44,000 HOLLY BOUGHS HEAVY WITH BERRIES... 404 00:25:44,000 --> 00:25:47,000 SO, THAT'S WHERE YOU GOT THOSE SCRATCHES. 405 00:25:47,000 --> 00:25:51,000 THOMASIN, YOU'VE BLOSSOMED BEYOND MY EXPECTATIONS. 406 00:25:51,000 --> 00:25:54,000 HOW DOES MY MOTHER KEEP SUITORS 407 00:25:54,000 --> 00:25:56,000 FROM OVERRUNNING BLOOMS 408 00:25:56,000 --> 00:25:57,000 HMM. 409 00:25:57,000 --> 00:26:01,000 IT'S NOT BEEN EASY. 410 00:26:01,000 --> 00:26:03,000 STOP. 411 00:26:03,000 --> 00:26:04,000 WHAT IS IT? 412 00:26:04,000 --> 00:26:06,000 I'VE PICTURED THIS FOR SO LONG. 413 00:26:06,000 --> 00:26:09,000 MOTHER, I WANT TO WALK THE LAST MILE HOME. 414 00:26:09,000 --> 00:26:11,000 YOU DON'T KNOW HOW I'VE DREAMED 415 00:26:11,000 --> 00:26:12,000 OF COMING UPON THE HOUSE 416 00:26:12,000 --> 00:26:16,000 FROM THE PATH ACROSS MY BELOVED HEATH. 417 00:26:18,000 --> 00:26:22,000 I HAVE SOMETHING TO TELL YOU LATER, MOTHER, 418 00:26:22,000 --> 00:26:26,000 BUT RIGHT NOW, I TAKE MY LEAVE OF YOU. 419 00:26:26,000 --> 00:26:27,000 CHRISTIAN. 420 00:26:27,000 --> 00:26:29,000 WALK ON. 421 00:27:14,000 --> 00:27:16,000 GOOD EVENING. 422 00:27:17,000 --> 00:27:20,000 YES. 423 00:27:45,000 --> 00:27:47,000 WHAT'S WRONG, CLYM? 424 00:27:49,000 --> 00:27:53,000 YOU'VE HAD HARDLY A WORD FOR US SINCE YOU WALKED HOME. 425 00:27:53,000 --> 00:27:57,000 THOMASIN THINKS YOU'RE DISAPPOINTED IN US AFTER ALL. 426 00:27:57,000 --> 00:28:00,000 ON MY WAY OVER THE HEATH, 427 00:28:00,000 --> 00:28:01,000 JUST BY MISTOVER, 428 00:28:01,000 --> 00:28:04,000 I SAW...A VISION, 429 00:28:04,000 --> 00:28:06,000 A MAIDEN SO RARE IN LOOKS, 430 00:28:06,000 --> 00:28:09,000 I'VE BEEN STANDING HERE IN SILENCE 431 00:28:09,000 --> 00:28:10,000 TRYING TO RECALL HER FACE 432 00:28:10,000 --> 00:28:13,000 AND FEARING I'D LOSE IT. 433 00:28:13,000 --> 00:28:15,000 SHE HAD BLACK HAIR 434 00:28:15,000 --> 00:28:17,000 AND...PAGAN EYES-- 435 00:28:17,000 --> 00:28:20,000 THE RAW MATERIAL OF DIVINITY. 436 00:28:20,000 --> 00:28:24,000 SHE SPOKE ONLY ONE WORD, 437 00:28:24,000 --> 00:28:30,000 BUT IT WAS LIKE THE SOUND OF SOFT MUSIC. 438 00:28:31,000 --> 00:28:33,000 MOTHER-- 439 00:28:33,000 --> 00:28:35,000 CURSE THIS DAY. 440 00:28:42,000 --> 00:28:45,000 DO IT PROPER THIS TIME. PUT YOUR VISORS ON. 441 00:28:45,000 --> 00:28:47,000 GET YOUR SWORD. GET YOUR SHIELD. 442 00:28:47,000 --> 00:28:49,000 PUT YOUR MASK AND HELMET ON. 443 00:28:49,000 --> 00:28:51,000 REHEARSE IT RIGHT. 444 00:28:51,000 --> 00:28:53,000 GET YOUR SWORD UP AND GO. 445 00:28:53,000 --> 00:28:55,000 HERE COME I, ST. GEORGE, THE VALIANT MAN, 446 00:28:55,000 --> 00:28:58,000 WITH GLITTERING SWORD AND SHIELD IN HAND. 447 00:28:58,000 --> 00:29:01,000 WHAT MORTAL MAN WOULD DARE TO STAND 448 00:29:01,000 --> 00:29:04,000 BEFORE ME WITH MY SWORD IN HAND? 449 00:29:04,000 --> 00:29:05,000 OH, I BE FRIGHTENED. 450 00:29:05,000 --> 00:29:06,000 CHARLEY! 451 00:29:06,000 --> 00:29:07,000 HERE COME I, THE TURKISH KNIGHT, 452 00:29:07,000 --> 00:29:10,000 COME FROM THE TURKISH LAND TO FIGHT. 453 00:29:10,000 --> 00:29:12,000 I'LL FIGHT THIS MAN WITH COURAGE BOLD. 454 00:29:12,000 --> 00:29:15,000 IF HIS BLOOD'S HOT, I'LL MAKE IT COLD. 455 00:29:15,000 --> 00:29:17,000 MY BLOOD IS HOT AS ANY FIRE, 456 00:29:17,000 --> 00:29:19,000 SO I MUST SAY THEE NAY. 457 00:29:19,000 --> 00:29:22,000 FOR WITH MY TRUSTY SWORD AND SHIELD, 458 00:29:22,000 --> 00:29:25,000 I'LL TAKE THY LIFE AWAY. 459 00:29:25,000 --> 00:29:29,000 YOU WOULDN'T HAVE PASSED AS MUMMERS IN OUR TIME. 460 00:29:29,000 --> 00:29:30,000 STILL, IT'LL HAVE TO DO. 461 00:29:30,000 --> 00:29:32,000 YOUR FIRST OUTING'S MONDAY NIGHT-- 462 00:29:32,000 --> 00:29:33,000 MRS. YEOBRIGHT'S. 463 00:29:33,000 --> 00:29:36,000 SHE'S HAVING A BIT OF A PARTY 464 00:29:36,000 --> 00:29:37,000 FOR HER SON CLYM'S HOMECOMING. 465 00:29:37,000 --> 00:29:40,000 SEE THAT YOUR COSTUMES ARE READY. 466 00:29:40,000 --> 00:29:43,000 RIGHT. OFF HOME, ALL OF YOU. 467 00:29:43,000 --> 00:29:45,000 GOOD NIGHT THEN. 468 00:29:45,000 --> 00:29:47,000 GOOD NIGHT. 469 00:29:52,000 --> 00:29:53,000 CHARLEY? 470 00:29:56,000 --> 00:30:02,000 YOU'RE THE TURKISH KNIGHT, AREN'T YOU, CHARLEY? 471 00:30:02,000 --> 00:30:05,000 HERE COME I, YE TURKISH KNIGHT. 472 00:30:05,000 --> 00:30:08,000 COME FROM THE TURKISH LAND TO FIGHT. 473 00:30:08,000 --> 00:30:11,000 I'LL FIGHT THIS MAN WITH COURAGE BOLD. 474 00:30:11,000 --> 00:30:14,000 IF HIS BLOOD'S HOT, I'LL MAKE IT COLD. 475 00:30:14,000 --> 00:30:18,000 WHAT A MIND YOU HAVE FOR MEMORY. 476 00:30:21,000 --> 00:30:22,000 IN YOUR HEART, 477 00:30:22,000 --> 00:30:24,000 YOU'D DO ALMOST ANYTHING FOR ME, 478 00:30:24,000 --> 00:30:26,000 WOULDN'T YOU, CHARLEY? 479 00:30:26,000 --> 00:30:28,000 I'LL DO A GOOD DEAL, MISS. 480 00:30:28,000 --> 00:30:32,000 LET ME PLAY YOUR PART FOR ONE NIGHT. 481 00:30:32,000 --> 00:30:34,000 I'LL PAY YOU... 482 00:30:34,000 --> 00:30:36,000 1/2 CROWN. 483 00:30:39,000 --> 00:30:40,000 5 SHILLINGS? 484 00:30:40,000 --> 00:30:42,000 NO... 485 00:30:42,000 --> 00:30:44,000 NOT MONEY. 486 00:30:44,000 --> 00:30:45,000 WHAT THEN? 487 00:30:45,000 --> 00:30:48,000 WHAT YOU FORBADE ME AT THE MAYPOLING, MISS, 488 00:30:48,000 --> 00:30:53,000 WHEN YOU WOULDN'T JOIN HANDS WITH ME IN THE RING. 489 00:30:53,000 --> 00:30:57,000 IF YOU'LL LET ME HOLD YOUR HAND... 490 00:30:57,000 --> 00:30:58,000 15 MINUTES... 491 00:30:58,000 --> 00:31:00,000 FIVE. 492 00:31:01,000 --> 00:31:02,000 YEAH. 493 00:31:05,000 --> 00:31:06,000 NO... 494 00:31:06,000 --> 00:31:09,000 NOT WITH THE GLOVE. 495 00:31:58,000 --> 00:32:01,000 MAKE ROOM, MAKE ROOM, MY GALLANTS, ROOM! 496 00:32:01,000 --> 00:32:04,000 GIVE US SPACE TO RHYME. 497 00:32:04,000 --> 00:32:07,000 WE COME TO SHOW ST. GEORGE'S PLAY 498 00:32:07,000 --> 00:32:09,000 UPON THIS CHRISTMASTIME. 499 00:32:09,000 --> 00:32:11,000 AND IF YOU DON'T BELIEVE MY WORD, 500 00:32:11,000 --> 00:32:15,000 I'LL STRAIGHTWAY CALL OUT, WALK IN, 501 00:32:15,000 --> 00:32:17,000 O GREAT ST. GEORGE, 502 00:32:17,000 --> 00:32:18,000 WALK IN, WALK IN, 503 00:32:18,000 --> 00:32:21,000 AND BOLDLY NOW BEGIN. 504 00:32:21,000 --> 00:32:23,000 HERE COME I, ST. GEORGE, 505 00:32:23,000 --> 00:32:24,000 THE VALIANT MAN, 506 00:32:24,000 --> 00:32:26,000 WITH GLITTERING SWORD AND SPEAR IN HAND. 507 00:32:26,000 --> 00:32:28,000 WHAT MORTAL MAN WOULD DARE TO STAND 508 00:32:28,000 --> 00:32:31,000 BEFORE ME WITH MY SWORD IN HAND? 509 00:32:31,000 --> 00:32:34,000 HERE COME I, THE TURKISH KNIGHT, 510 00:32:34,000 --> 00:32:36,000 COME FROM THE TURKISH LAND TO FIGHT. 511 00:32:36,000 --> 00:32:38,000 I'LL FIGHT THIS MAN WITH COURAGE BOLD. 512 00:32:38,000 --> 00:32:40,000 IF HIS BLOOD'S HOT, I'LL MAKE IT COLD. 513 00:32:40,000 --> 00:32:43,000 MY BLOOD IS HOT AS ANY FIRE. 514 00:32:43,000 --> 00:32:44,000 SO I MUST SAY THEE NAY. 515 00:32:44,000 --> 00:32:46,000 FOR WITH MY TRUSTY SWORD AND SHIELD, 516 00:32:46,000 --> 00:32:48,000 I'LL TAKE THY LIFE AWAY. 517 00:32:50,000 --> 00:32:53,000 THERE. YOU'RE A BIT TOO REAL, LAD. 518 00:32:53,000 --> 00:32:57,000 CALL IN THE SECOND, THAT CHAMPION WHOM I DREAD. 519 00:32:57,000 --> 00:32:59,000 WHERE IS THE SARACEN? 520 00:32:59,000 --> 00:33:01,000 HE DOES LONG DELAY. 521 00:33:01,000 --> 00:33:03,000 THAT HERO OF RENOWN. 522 00:33:03,000 --> 00:33:04,000 WAIT! 523 00:33:12,000 --> 00:33:15,000 WAS I SEEING THINGS? 524 00:33:17,000 --> 00:33:18,000 OH! 525 00:33:19,000 --> 00:33:22,000 IT IS YOU. 526 00:33:22,000 --> 00:33:24,000 YOU'RE NOT A BOY. 527 00:33:24,000 --> 00:33:26,000 THANK YOU... 528 00:33:26,000 --> 00:33:28,000 SIRE. 529 00:33:28,000 --> 00:33:29,000 I'M... 530 00:33:29,000 --> 00:33:31,000 AMAZED. 531 00:33:31,000 --> 00:33:34,000 THEN I'VE PLAYED MY PART WELL. 532 00:33:35,000 --> 00:33:36,000 CLYM! 533 00:33:36,000 --> 00:33:38,000 HERE YOU ARE. 534 00:33:39,000 --> 00:33:42,000 DID YOU SEE HER? 535 00:33:42,000 --> 00:33:46,000 WHO WAS THAT LOVELY CREATURE? 536 00:33:46,000 --> 00:33:47,000 EUSTACIA VYE, 537 00:33:47,000 --> 00:33:50,000 THE CAPTAIN'S GRANDDAUGHTER 538 00:33:50,000 --> 00:33:52,000 FROM MISTOVER KNAP. 539 00:33:52,000 --> 00:33:54,000 WHY WASN'T SHE INVITED? 540 00:33:54,000 --> 00:33:56,000 OH, COME NOW. WHAT'S THE MYSTERY? 541 00:33:56,000 --> 00:34:00,000 NOW, DON'T FORCE ME TO SPEAK ILL OF HER. 542 00:34:00,000 --> 00:34:01,000 IT WILL ONLY WHET YOUR INTEREST. 543 00:34:01,000 --> 00:34:05,000 I KNOW ALL ABOUT MEN AND FORBIDDEN FRUIT. 544 00:34:05,000 --> 00:34:06,000 NOW, COME INSIDE, CLYM. 545 00:34:06,000 --> 00:34:08,000 YOUR VISIT WILL BE SO SHORT. 546 00:34:08,000 --> 00:34:13,000 COME AND LET YOUR OLD FRIENDS ENJOY YOUR COMPANY. 547 00:34:20,000 --> 00:34:25,000 YOU'RE NOT AN EASY MAN TO FIND, REDDLEMAN. 548 00:34:25,000 --> 00:34:29,000 AN ODD HOUR TO COME LOOKING. 549 00:34:31,000 --> 00:34:33,000 I'VE THOUGHT ABOUT WHAT YOU SAID, 550 00:34:33,000 --> 00:34:37,000 ABOUT THE NEED TO MAKE MR. WILDEVE COME TO HIS SENSES. 551 00:34:37,000 --> 00:34:41,000 DID YOUNG MR. YEOBRIGHT ENJOY YOUR PERFORMANCE TONIGHT? 552 00:34:41,000 --> 00:34:44,000 AND SINCE YOU SEEM SO PERSONALLY INTERESTED 553 00:34:44,000 --> 00:34:46,000 IN THE OUTCOME OF THIS MATTER, 554 00:34:46,000 --> 00:34:50,000 I SUGGEST YOU DELIVER THE NEWS TO DAMON WILDEVE. 555 00:34:50,000 --> 00:34:51,000 ME? 556 00:34:51,000 --> 00:34:53,000 I SHALL WRITE A FINAL LETTER TO HIM. 557 00:34:53,000 --> 00:34:55,000 YOU MUST DELIVER IT ON SATURDAY, 558 00:34:55,000 --> 00:35:00,000 WHEN I PROMISED TO MEET HIM AT SHADWATER FALLS. 559 00:35:01,000 --> 00:35:03,000 I'M FOOLISH... 560 00:35:03,000 --> 00:35:05,000 BUT I'M NOT A FOOL. 561 00:35:05,000 --> 00:35:06,000 IF THIS IS SOME BREATHLESS WHIM 562 00:35:06,000 --> 00:35:10,000 BROUGHT ON BY A BRUSH WITH THE DASHING MR. YEOBRIGHT, 563 00:35:10,000 --> 00:35:12,000 I'LL NOT ACT THE IDIOT FOR YOU. 564 00:35:12,000 --> 00:35:14,000 YOU'RE APT TO CHANGE YOUR MIND 565 00:35:14,000 --> 00:35:16,000 WHEN HE RETURNS TO PARIS. 566 00:35:16,000 --> 00:35:18,000 I'M BOTH A FOOL AND FOOLISH. 567 00:35:18,000 --> 00:35:20,000 I'M TOO FOOLISH TO UNDERSTAND YOUR WISH 568 00:35:20,000 --> 00:35:26,000 TO SEE THOMASIN HAPPY IN THE ARMS OF ANOTHER... 569 00:35:26,000 --> 00:35:31,000 BUT I WAS FOOL ENOUGH TO THINK YOU MEANT IT. 570 00:35:31,000 --> 00:35:34,000 WRITE THE LETTER. 571 00:35:34,000 --> 00:35:37,000 I'LL GIVE IT TO HIM. 572 00:35:59,000 --> 00:36:00,000 DEAR MR. WILDEVE, 573 00:36:00,000 --> 00:36:03,000 THE MORE I CONSIDER THE MATTER, 574 00:36:03,000 --> 00:36:04,000 THE MORE I AM CONVINCED 575 00:36:04,000 --> 00:36:07,000 THERE MUST BE AN END TO OUR ACQUAINTANCE. 576 00:36:07,000 --> 00:36:10,000 I HAVE DECIDED ONCE AND FOR ALL 577 00:36:10,000 --> 00:36:13,000 THAT WE MUST HOLD NO FURTHER COMMUNICATION. 578 00:36:13,000 --> 00:36:15,000 EUSTACIA VYE. 579 00:36:35,000 --> 00:36:36,000 WILL THOU, DAMON, 580 00:36:36,000 --> 00:36:38,000 HAVE THIS WOMAN TO THY WEDDED WIFE, 581 00:36:38,000 --> 00:36:40,000 TO LIVE TOGETHER AFTER GOD'S ORDINANCE 582 00:36:40,000 --> 00:36:42,000 IN THE HOLY STATE OF MATRIMONY, 583 00:36:42,000 --> 00:36:45,000 TO LOVE, COMFORT, HONOR, AND KEEP HER 584 00:36:45,000 --> 00:36:47,000 IN SICKNESS AND IN HEALTH, 585 00:36:47,000 --> 00:36:49,000 AND FORSAKING ALL OTHER, 586 00:36:49,000 --> 00:36:50,000 KEEP THEE ONLY UNTO HER 587 00:36:50,000 --> 00:36:52,000 SO LONG AS YOU BOTH SHALL LIVE? 588 00:36:52,000 --> 00:36:53,000 I WILL. 589 00:36:53,000 --> 00:36:54,000 WILL THOU, THOMASIN, 590 00:36:54,000 --> 00:36:56,000 HAVE THIS MAN TO THY WEDDED HUSBAND, 591 00:36:56,000 --> 00:36:59,000 TO LIVE TOGETHER AFTER GOD'S ORDINANCE 592 00:36:59,000 --> 00:37:01,000 IN THE HOLY STATE OF MATRIMONY, 593 00:37:01,000 --> 00:37:03,000 OBEY AND SERVE HIM, 594 00:37:03,000 --> 00:37:05,000 LOVE, HONOR, AND KEEP HIM IN SICKNESS AND HEALTH, 595 00:37:05,000 --> 00:37:06,000 AND FORSAKING ALL OTHER, 596 00:37:06,000 --> 00:37:09,000 KEEP THEE ONLY UNTO HIM SO LONG AS YOU BOTH SHALL LIVE? 597 00:37:09,000 --> 00:37:10,000 I WILL. 598 00:37:10,000 --> 00:37:12,000 WITH THIS RING, I THEE WED. 599 00:37:12,000 --> 00:37:14,000 WITH THIS RING, I THEE WED. 600 00:37:14,000 --> 00:37:17,000 WITH ALL MY WORLDLY GOODS I THEE ENDOW. 601 00:37:17,000 --> 00:37:20,000 WITH ALL MY WORLDLY GOODS I THEE ENDOW. 602 00:37:20,000 --> 00:37:22,000 THOSE WHOM GOD HAVE JOINED TOGETHER, 603 00:37:22,000 --> 00:37:25,000 LET NO MAN PUT ASUNDER. 604 00:37:27,000 --> 00:37:29,000 AAH! AAH! 605 00:37:29,000 --> 00:37:31,000 EUSTACIA! 606 00:37:35,000 --> 00:37:36,000 RUN! 607 00:37:36,000 --> 00:37:38,000 JOHNNY! 608 00:37:39,000 --> 00:37:42,000 GET HER INTO THE CARRIAGE QUICK. 609 00:37:42,000 --> 00:37:44,000 WHAT HAPPENED TO HER? 610 00:37:44,000 --> 00:37:45,000 IS SHE ALL RIGHT? 611 00:37:45,000 --> 00:37:48,000 EUSTACIA? 612 00:37:52,000 --> 00:37:54,000 WALK ON. 613 00:37:58,000 --> 00:38:00,000 SUSAN NUNSUCH STABBED EUSTACIA VYE. 614 00:38:00,000 --> 00:38:03,000 IF BLOOD BE DRAWN IN CHURCH, 615 00:38:03,000 --> 00:38:04,000 IT STOPS THE BEWITCHING. 616 00:38:04,000 --> 00:38:07,000 SUSAN WAS FRIGHTENED FOR HER JOHNNY. 617 00:38:07,000 --> 00:38:08,000 WHAT NONSENSE. 618 00:38:08,000 --> 00:38:10,000 BLOODLETTING IN CHURCH. 619 00:38:10,000 --> 00:38:12,000 STUPID SUPERSTITIONS. 620 00:38:27,000 --> 00:38:29,000 KEEP AT IT, CHARLEY. 621 00:38:29,000 --> 00:38:33,000 YES, CAPTAIN VYE. 622 00:38:52,000 --> 00:38:53,000 MISS VYE. 623 00:38:53,000 --> 00:38:55,000 I CAME TO SOLVE THE MYSTERY 624 00:38:55,000 --> 00:38:59,000 OF JUST WHO IS EUSTACIA VYE. 625 00:38:59,000 --> 00:39:00,000 YOU SEE HER BEFORE YOU. 626 00:39:00,000 --> 00:39:02,000 YES, BUT IS SHE THAT MISTY APPARITION 627 00:39:02,000 --> 00:39:04,000 WHO APPEARED IN A FOG ON THE HEATH, 628 00:39:04,000 --> 00:39:09,000 OR IS SHE THE TURKISH KNIGHT WHO WAS SLAIN AT MY FEET? 629 00:39:09,000 --> 00:39:10,000 OR IS SHE THE WITCH, 630 00:39:10,000 --> 00:39:13,000 WHO FOR HER CRIMES WAS STABBED THIS MORNING 631 00:39:13,000 --> 00:39:14,000 IN EAST EGDON CHURCH? 632 00:39:14,000 --> 00:39:16,000 ALL THREE, I FEAR. 633 00:39:16,000 --> 00:39:17,000 YOU HAVE MY CONFESSION. 634 00:39:17,000 --> 00:39:20,000 I BLUSH FOR MY NATIVE EGDON, MISS VYE, 635 00:39:20,000 --> 00:39:23,000 THAT SUCH IGNORANCE STILL EXISTS HERE. 636 00:39:23,000 --> 00:39:26,000 IS THE INJURY SERIOUS? 637 00:39:35,000 --> 00:39:37,000 IT WAS SHAMEFUL OF SUSAN NUNSUCH. 638 00:39:37,000 --> 00:39:40,000 I WASN'T AWARE I HAD SUCH A MAGIC REPUTATION. 639 00:39:40,000 --> 00:39:44,000 I CAN'T IMAGINE ANYONE THINKING YOU GUILTY OF SUCH THINGS, 640 00:39:44,000 --> 00:39:46,000 BEWITCHING AS YOU MAY BE. 641 00:39:52,000 --> 00:39:54,000 I'VE BEEN BLAMED FOR MANY THINGS, 642 00:39:54,000 --> 00:39:56,000 EVEN THE DELAYED WEDDING OF THOMASIN. 643 00:39:56,000 --> 00:40:01,000 IS THERE TRUTH IN WHAT THEY SAY ABOUT MR. WILDEVE? 644 00:40:01,000 --> 00:40:05,000 I ONCE FOUND HIM AMUSING COMPANY, 645 00:40:05,000 --> 00:40:07,000 BUT I'VE SENT HIM A LETTER 646 00:40:07,000 --> 00:40:08,000 REFUSING TO SEE HIM AGAIN, 647 00:40:08,000 --> 00:40:11,000 HOPING THAT HE WOULD MARRY THOMASIN. 648 00:40:11,000 --> 00:40:13,000 I SUCCEEDED. 649 00:40:13,000 --> 00:40:14,000 AN HONORABLE THING TO DO. 650 00:40:14,000 --> 00:40:16,000 THERE ARE THOSE WHO'D SAY 651 00:40:16,000 --> 00:40:19,000 I CONFESSED TO APPEAR INNOCENT IN YOUR EYES. 652 00:40:19,000 --> 00:40:21,000 THE ONLY THING YOU'RE GUILTY OF 653 00:40:21,000 --> 00:40:24,000 IS NOT APPEARING HERE LIKE THIS FIVE YEARS AGO 654 00:40:24,000 --> 00:40:26,000 AND SAVING ME A JOURNEY TO PARIS. 655 00:40:26,000 --> 00:40:30,000 IT'S A DREAM LIFE YOU'VE LEAD, I'M SURE. 656 00:40:30,000 --> 00:40:31,000 THAT'S FOR ANOTHER DAY. 657 00:40:31,000 --> 00:40:32,000 I'LL CALL AGAIN SOON 658 00:40:32,000 --> 00:40:34,000 AND OFTEN, IF YOU'LL ALLOW ME. 659 00:40:34,000 --> 00:40:38,000 I'D BE DISAPPOINTED IF YOU DIDN'T. 660 00:40:46,000 --> 00:40:47,000 WALK ON. 661 00:40:47,000 --> 00:40:48,000 BYE, AUNT. 662 00:40:48,000 --> 00:40:50,000 BYE, CLYM. 663 00:40:50,000 --> 00:40:52,000 GOODBYE. 664 00:40:52,000 --> 00:40:54,000 GOOD LUCK. 665 00:41:05,000 --> 00:41:07,000 MOTHER, I FEEL IT WAS TRUE FATE 666 00:41:07,000 --> 00:41:10,000 THAT BROUGHT ME BACK HERE TO THE HEATH. 667 00:41:10,000 --> 00:41:13,000 YOUR NIECE IS WED. YOUR SON'S HOME. 668 00:41:13,000 --> 00:41:15,000 YOU CAN REJOICE TWICE IN ONE DAY. 669 00:41:15,000 --> 00:41:18,000 YOU'RE GOING BACK TO A BETTER LIFE IN PARIS. 670 00:41:18,000 --> 00:41:21,000 NO, MOTHER. I'M NOT GOING BACK. 671 00:41:21,000 --> 00:41:22,000 WHAT? 672 00:41:22,000 --> 00:41:25,000 NOW I CAN TELL YOU MY GREAT SECRET. 673 00:41:25,000 --> 00:41:28,000 I INTEND TO STUDY AND START A SCHOOL HERE 674 00:41:28,000 --> 00:41:31,000 TO EDUCATE FARMERS' SONS AND DAUGHTERS. 675 00:41:31,000 --> 00:41:32,000 NO, CLYM, YOU CANNOT. 676 00:41:32,000 --> 00:41:35,000 YOU CANNOT THROW AWAY ALL THOSE YEARS OF STUDY 677 00:41:35,000 --> 00:41:37,000 AND PROSPERITY IN PARIS. WHAT FOR? 678 00:41:37,000 --> 00:41:39,000 TO WIDEN THEIR WORLD, 679 00:41:39,000 --> 00:41:41,000 BANISH IGNORANCE AND SUPERSTITION... 680 00:41:41,000 --> 00:41:42,000 CLYM. 681 00:41:42,000 --> 00:41:45,000 THE LIKES OF WHICH MOVED SUSAN NUNSUCH 682 00:41:45,000 --> 00:41:47,000 TO STAB MISS VYE IN CHURCH TODAY. 683 00:41:47,000 --> 00:41:49,000 WELL, PERHAPS YOU SHOULD KNOW, 684 00:41:49,000 --> 00:41:52,000 THEY BELIEVE IT WAS EUSTACIA VYE'S FAULT 685 00:41:52,000 --> 00:41:55,000 THAT MR. WILDEVE DALLIED SO LONG 686 00:41:55,000 --> 00:41:58,000 BEFORE MARRYING YOUR COUSIN. 687 00:41:58,000 --> 00:41:59,000 MOTHER, I KNOW. 688 00:41:59,000 --> 00:42:01,000 MISS VYE TOLD ME SO 689 00:42:01,000 --> 00:42:03,000 LESS THAN AN HOUR AGO. 690 00:42:04,000 --> 00:42:09,000 THE TRUTH CLEVERLY TOLD IS THE BIGGEST LIE OF ALL. 691 00:42:09,000 --> 00:42:13,000 SHE EXPECTED PEOPLE TO SAY THAT. 692 00:42:13,000 --> 00:42:15,000 OH, YOU ARE BLINDED, CLYM. 693 00:42:15,000 --> 00:42:19,000 I WANT YOU TO MEET HER, GET TO KNOW HER. 694 00:42:19,000 --> 00:42:20,000 MEET HER? 695 00:42:20,000 --> 00:42:21,000 NO. 696 00:42:21,000 --> 00:42:24,000 NO, NEVER. 697 00:42:24,000 --> 00:42:27,000 THE CRUELEST THING NEXT TO DEATH 698 00:42:27,000 --> 00:42:29,000 A MOTHER CAN SUFFER-- 699 00:42:29,000 --> 00:42:30,000 TO SEE AN UNFIT CREATURE 700 00:42:30,000 --> 00:42:34,000 TAKING OVER THE MIND AND LIFE OF HER ONLY SON. 701 00:42:34,000 --> 00:42:36,000 DON'T MAKE ME SPEAK TO YOU 702 00:42:36,000 --> 00:42:40,000 IN A WAY WE WILL BOTH REGRET. 703 00:43:46,000 --> 00:43:50,000 ARE YOU SURE WE SHOULD DIG THESE UP? 704 00:43:50,000 --> 00:43:51,000 OH, CHRISTIAN. 705 00:43:51,000 --> 00:43:53,000 A FINE SPECIMEN. 706 00:43:53,000 --> 00:43:55,000 LOOK AT THAT. 707 00:43:55,000 --> 00:43:56,000 JUST THINK... 708 00:43:56,000 --> 00:43:58,000 AN ANCIENT DRUID WAS IN HERE. 709 00:43:58,000 --> 00:44:02,000 WHAT A CEREMONY THAT MUST'VE BEEN. 710 00:44:02,000 --> 00:44:05,000 YOU FOUND THE CHOICEST OF THE LOT, CLYM. 711 00:44:05,000 --> 00:44:08,000 SOME MAN'S BONES BEEN RESTING IN THAT POT 712 00:44:08,000 --> 00:44:10,000 FOR A THOUSAND YEARS. 713 00:44:10,000 --> 00:44:12,000 NO MAN RESTS HERE. 714 00:44:12,000 --> 00:44:16,000 THIS URN HOLDS A BEAUTIFUL MAIDEN, 715 00:44:16,000 --> 00:44:17,000 WHO DIED OF HEARTBREAK 716 00:44:17,000 --> 00:44:20,000 BECAUSE HER WORLD BEGAN AND ENDED 717 00:44:20,000 --> 00:44:21,000 ON THIS HORRIBLE HEATH. 718 00:44:21,000 --> 00:44:23,000 YOU'VE DONE HER A GREAT FAVOR. 719 00:44:23,000 --> 00:44:25,000 NOW HER SPIRIT CAN ESCAPE THIS PLACE 720 00:44:25,000 --> 00:44:29,000 AND SEE WHAT WONDERS HAVE COME TO PASS. 721 00:44:29,000 --> 00:44:34,000 HER FIRST STOP WILL BE PARIS, NO DOUBT. 722 00:44:38,000 --> 00:44:39,000 WHAT DO YOU THINK, TIMOTHY? 723 00:44:39,000 --> 00:44:41,000 WOULDN'T SHE BE THE PERFECT ONE 724 00:44:41,000 --> 00:44:46,000 TO JOIN ME IN TEACHING THE YOUNG ONES ROUND HERE? 725 00:44:46,000 --> 00:44:48,000 WITH ALL DUE RESPECT, CLYM, 726 00:44:48,000 --> 00:44:50,000 I CAN'T IMAGINE SUCH AN IDEA 727 00:44:50,000 --> 00:44:52,000 EVER ENTERING HER HEAD. 728 00:44:52,000 --> 00:44:55,000 HA HA. 729 00:45:16,000 --> 00:45:23,000 I HEAR YOU ATTENDED THE OPENING OF A BARROW ON THE HEATH. 730 00:45:25,000 --> 00:45:29,000 WELL, DID THEY FIND ANY BURIAL URNS? 731 00:45:31,000 --> 00:45:32,000 A FEW. 732 00:45:34,000 --> 00:45:38,000 I WOULD'VE LIKED TO HAVE HAD ONE. 733 00:45:38,000 --> 00:45:43,000 AS PART OF THE HISTORY OF THIS PLACE. 734 00:45:43,000 --> 00:45:45,000 YOU'RE TRYING TO MAKE ME FEEL GUILTY 735 00:45:45,000 --> 00:45:48,000 FOR SEEING EUSTACIA VYE THESE PAST FEW WEEKS. 736 00:45:48,000 --> 00:45:52,000 YOU KNOW FULL WELL I GAVE HER THE URN, 737 00:45:52,000 --> 00:45:53,000 MY SHARE OF THE EXCAVATION. 738 00:45:53,000 --> 00:45:57,000 IT'S NOT THE URN I CARE ABOUT. IT'S YOU. 739 00:45:57,000 --> 00:46:00,000 IF NOT FOR HER, YOU'D HAVE RETURNED TO PARIS. 740 00:46:00,000 --> 00:46:03,000 THREE MONTHS YOU'VE WASTED. 741 00:46:03,000 --> 00:46:08,000 ABSENT I WAS A HERO, IN THE FLESH A DISGRACE? 742 00:46:14,000 --> 00:46:15,000 IN DEFERENCE TO YOU, 743 00:46:15,000 --> 00:46:17,000 I HAVE DECIDED TO ESTABLISH 744 00:46:17,000 --> 00:46:19,000 A FINE PRIVATE SCHOOL IN BUDMOUTH. 745 00:46:19,000 --> 00:46:21,000 IT MAY NOT MAKE ME RICH, 746 00:46:21,000 --> 00:46:26,000 BUT YOU CAN TAKE PRIDE IN MY REPUTATION AS AN EDUCATOR. 747 00:46:26,000 --> 00:46:28,000 DAY AFTER DAY, 748 00:46:28,000 --> 00:46:29,000 READING, READING, READING. 749 00:46:29,000 --> 00:46:31,000 YOU'LL GO BLIND BEFORE YOU FIND ANYTHING 750 00:46:31,000 --> 00:46:34,000 TO LIFT THE LOT OF THESE HEATH PEOPLE. 751 00:46:34,000 --> 00:46:36,000 THEY'VE BEEN CONTENT FOR CENTURIES. 752 00:46:36,000 --> 00:46:41,000 LET THEM HAVE THEIR GHOSTS AND THEIR CURSES. 753 00:46:42,000 --> 00:46:46,000 THERE'S AN ECLIPSE OF THE MOON TONIGHT. 754 00:46:46,000 --> 00:46:49,000 I'M GOING OUT TO SEE IT. 755 00:46:50,000 --> 00:46:53,000 PERHAPS YOU SHOULD TELL HER... 756 00:46:54,000 --> 00:46:58,000 CHRISTIAN CANTLE SAYS DEAD FOLKS COME TO CLAIM THEIR OWN 757 00:46:58,000 --> 00:47:02,000 FROM PEOPLE WHO KEEP THOSE BURIAL URNS. 758 00:47:02,000 --> 00:47:05,000 I'D BE ASHAMED TO LET HER THINK 759 00:47:05,000 --> 00:47:09,000 MY MOTHER WOULD EVEN REPEAT SUCH THINGS. 760 00:47:38,000 --> 00:47:40,000 OH, MY DARLING, WHAT IS IT? 761 00:47:40,000 --> 00:47:43,000 WHENEVER YOU'RE A FEW MINUTES LATE, 762 00:47:43,000 --> 00:47:45,000 I FEAR OUR LOVE IS OVER. 763 00:47:45,000 --> 00:47:46,000 NEVER. 764 00:47:46,000 --> 00:47:47,000 I KEEP YOU WAITING 765 00:47:47,000 --> 00:47:51,000 SO I CAN FEEL YOU CLING TO ME SO DESPERATELY. 766 00:47:51,000 --> 00:47:52,000 SHAME ON YOU, 767 00:47:52,000 --> 00:47:54,000 BUT YOU'RE RIGHT. 768 00:47:54,000 --> 00:47:56,000 IT DOES SEND THE BLOOD RUSHING. 769 00:47:56,000 --> 00:47:58,000 I CAN FEEL IT. 770 00:48:01,000 --> 00:48:05,000 YOU'RE MISSING THE ECLIPSE. 771 00:48:05,000 --> 00:48:06,000 YOU LOOK AT IT. 772 00:48:06,000 --> 00:48:09,000 TELL ME WHAT YOU SEE. 773 00:48:09,000 --> 00:48:11,000 A GREAT AND EXCITING DISCOVERY. 774 00:48:11,000 --> 00:48:15,000 IT CHANGED MAN'S WHOLE VIEW OF THE WORLD. 775 00:48:15,000 --> 00:48:16,000 COME NOW. 776 00:48:16,000 --> 00:48:19,000 ALL THAT IN ONE LITTLE ECLIPSE? 777 00:48:19,000 --> 00:48:20,000 OH, YES! 778 00:48:20,000 --> 00:48:24,000 I CAN SENSE THE WAY THAT COPERNICUS 779 00:48:24,000 --> 00:48:26,000 OR EVEN COLUMBUS MUST'VE FELT 780 00:48:26,000 --> 00:48:29,000 WATCHING THAT CURVED SHADOW OF THE EARTH 781 00:48:29,000 --> 00:48:30,000 CREEP ACROSS THE MOON 782 00:48:30,000 --> 00:48:33,000 AND REALIZING THAT THE WORLD WAS REALLY ROUND, 783 00:48:33,000 --> 00:48:37,000 NOT FLAT, AS ALL THE ANCIENTS SUPPOSED. 784 00:48:39,000 --> 00:48:40,000 DID YOU SEE IT? 785 00:48:40,000 --> 00:48:44,000 I SEE IT NOW IN YOUR EYES. 786 00:48:46,000 --> 00:48:48,000 SOMETHING ELSE... 787 00:48:49,000 --> 00:48:51,000 SOMETHING THAT FRIGHTENS ME. 788 00:48:51,000 --> 00:48:54,000 WHAT ELSE? WHAT ELSE DO YOU SEE? 789 00:48:54,000 --> 00:48:57,000 SADNESS. 790 00:48:57,000 --> 00:49:00,000 YOUR MOTHER KNOWS OF OUR MEETINGS 791 00:49:00,000 --> 00:49:01,000 AND SPEAKS AGAINST ME. 792 00:49:01,000 --> 00:49:05,000 ALL I KNOW IS WE CANNOT GO ON LIKE THIS. 793 00:49:05,000 --> 00:49:07,000 IT'S NOT SEEING YOU THAT HAS TO END. 794 00:49:07,000 --> 00:49:13,000 IT'S PARTING FROM YOU THAT I CAN NO LONGER ENDURE. 795 00:49:15,000 --> 00:49:17,000 BE MY WIFE. 796 00:49:22,000 --> 00:49:25,000 SPEAK TO ME OF PARIS. 797 00:49:25,000 --> 00:49:28,000 IS THERE ANY OTHER PLACE LIKE IT ON EARTH? 798 00:49:28,000 --> 00:49:31,000 TELL ME OF THE TUILERIES AND THE LOUVRE. 799 00:49:31,000 --> 00:49:36,000 I HATE TALKING OF PARIS. I'M FINISHED WITH PARIS. 800 00:49:37,000 --> 00:49:40,000 I THOUGHT IT A SMALL THING TO ASK. 801 00:49:40,000 --> 00:49:44,000 WELL, THERE IS ONE SUNNY ROOM IN THE LOUVRE, 802 00:49:44,000 --> 00:49:48,000 WHICH WOULD MAKE A FITTING PLACE FOR YOU TO LIVE. 803 00:49:48,000 --> 00:49:50,000 THE GALERIE D'APOLLON. 804 00:49:50,000 --> 00:49:53,000 IN THE EARLY MORNING, 805 00:49:53,000 --> 00:49:56,000 IT IS A PERFECT BLAZE OF SPLENDOR. 806 00:49:56,000 --> 00:50:00,000 I USED TO VISIT IT ON SUNDAYS. 807 00:50:00,000 --> 00:50:02,000 OH, YES. 808 00:50:02,000 --> 00:50:04,000 I DISLIKE ENGLISH SUNDAYS SO MUCH. 809 00:50:04,000 --> 00:50:10,000 HOW I SHOULD CHIME IN WITH THEIR MANNERS OVER THERE. 810 00:50:10,000 --> 00:50:12,000 WE'LL GO BACK THERE, WON'T WE? 811 00:50:12,000 --> 00:50:16,000 I HAVE VOWED NOT TO GO BACK, EUSTACIA. 812 00:50:16,000 --> 00:50:17,000 YOU KNOW I PLAN TO TEACH. 813 00:50:17,000 --> 00:50:21,000 I'D RATHER LIVE AND DIE IN A HERMITAGE HERE 814 00:50:21,000 --> 00:50:22,000 WITH PROPER WORK TO DO. 815 00:50:22,000 --> 00:50:25,000 YOU COULD TEACH ENGLISH IN PARIS. 816 00:50:27,000 --> 00:50:30,000 IT'S PARIS YOUR HEART IS SET ON. 817 00:50:30,000 --> 00:50:33,000 I WAS A FOOL TO THINK IT WAS ME. 818 00:50:33,000 --> 00:50:36,000 NO, CLYM, NO. 819 00:50:36,000 --> 00:50:37,000 NO, IT IS YOU. 820 00:50:37,000 --> 00:50:40,000 YOU'LL NEVER STAY WITH YOUR PLAN TO TEACH, 821 00:50:40,000 --> 00:50:43,000 I'M QUITE SURE. WE'LL SOON BE IN PARIS. 822 00:50:43,000 --> 00:50:46,000 SO I PROMISE YOU... 823 00:50:46,000 --> 00:50:51,000 I PROMISE THAT I WILL BE YOURS FOREVER AND EVER. 824 00:50:51,000 --> 00:50:53,000 I'LL TAKE THAT AS A YES, 825 00:50:53,000 --> 00:50:56,000 IF YOU'RE AFRAID TO SAY IT. 826 00:50:56,000 --> 00:50:58,000 YES. 827 00:50:58,000 --> 00:51:00,000 OH, YES. 828 00:51:01,000 --> 00:51:02,000 YES. 829 00:51:10,000 --> 00:51:13,000 ANOTHER ROUND, MR. WILDEVE! 830 00:51:22,000 --> 00:51:23,000 WHAT IS IT? 831 00:51:23,000 --> 00:51:25,000 YOU LOOK ILL. 832 00:51:27,000 --> 00:51:30,000 I'VE JUST BEEN AT THE QUIET WOMAN. 833 00:51:30,000 --> 00:51:36,000 CAPTAIN VYE ANNOUNCED THAT YOU AND EUSTACIA VYE 834 00:51:36,000 --> 00:51:39,000 ARE ENGAGED TO BE MARRIED. 835 00:51:39,000 --> 00:51:42,000 AND THEN HE TURNED... 836 00:51:42,000 --> 00:51:46,000 AND WITNESSED MY SURPRISE AND SHAME. 837 00:51:46,000 --> 00:51:47,000 I'M SORRY. 838 00:51:47,000 --> 00:51:50,000 YOU DON'T MAKE IT EASY FOR ME TO TALK TO YOU. 839 00:51:50,000 --> 00:51:52,000 YOU ALWAYS MAKE IT SOUND 840 00:51:52,000 --> 00:51:56,000 AS THOUGH THE SUFFERING YOU CAUSE ME IS MY FAULT. 841 00:51:56,000 --> 00:51:57,000 I DON'T MEAN TO. 842 00:51:57,000 --> 00:52:01,000 I WISH I NEVER LIVED TO SEE THIS DAY, 843 00:52:01,000 --> 00:52:04,000 SEE YOU THROWING AWAY EVERYTHING... 844 00:52:04,000 --> 00:52:06,000 FOR HER. 845 00:52:06,000 --> 00:52:11,000 I WON'T SUFFER THIS ANY LONGER IN MY OWN HOME. 846 00:52:11,000 --> 00:52:13,000 I THINK.... 847 00:52:13,000 --> 00:52:17,000 YOU SHOULD BESTOW YOUR PRESENCE... 848 00:52:17,000 --> 00:52:21,000 WHERE YOU BESTOW YOUR LOVE. 849 00:52:21,000 --> 00:52:26,000 IF THIS IS THE SIZE OF MOTHER LOVE, 850 00:52:26,000 --> 00:52:27,000 THEN I'VE OUTGROWN IT. 851 00:52:27,000 --> 00:52:31,000 I'M STILL YOUR SON AND WILL SAY NO MORE, 852 00:52:31,000 --> 00:52:35,000 BUT I'LL NO LONGER INFLICT MYSELF UPON YOU. 853 00:52:38,000 --> 00:52:40,000 I'LL GO. 854 00:52:48,000 --> 00:52:50,000 I KNEW SHE WOULDN'T SEE ME. 855 00:52:50,000 --> 00:52:51,000 IT DOESN'T MATTER. 856 00:52:51,000 --> 00:52:53,000 I'VE FOUND A LITTLE COTTAGE. 857 00:52:53,000 --> 00:52:55,000 WE CAN BE MARRIED AT ONCE. 858 00:52:55,000 --> 00:52:59,000 I'VE SAVED SOME MONEY FROM MY POSITION IN PARIS. 859 00:52:59,000 --> 00:53:00,000 WE'LL GET BY. 860 00:53:00,000 --> 00:53:01,000 HOW LONG? 861 00:53:01,000 --> 00:53:05,000 HOW LONG MUST WE LIVE IN THIS LITTLE COTTAGE? 862 00:53:05,000 --> 00:53:07,000 SIX MONTHS, PROBABLY. 863 00:53:07,000 --> 00:53:08,000 I'LL HAVE FINISHED MY READING, 864 00:53:08,000 --> 00:53:11,000 AND I'LL BE READY TO WORK IN BUDMOUTH. 865 00:53:11,000 --> 00:53:13,000 SIX MONTHS. NO MORE. 866 00:53:13,000 --> 00:53:15,000 DO YOU PROMISE? 867 00:53:15,000 --> 00:53:16,000 OF COURSE. 868 00:53:25,000 --> 00:53:27,000 WHAT'S THE MATTER? 869 00:53:27,000 --> 00:53:33,000 TELL ME AGAIN OF THAT ONE SUNNY ROOM IN THE LOUVRE. 870 00:53:33,000 --> 00:53:35,000 WHICH ROOM WAS THAT? 871 00:53:35,000 --> 00:53:40,000 THE ONE THAT WOULD MAKE A FITTING PLACE FOR ME TO LIVE. 872 00:53:40,000 --> 00:53:43,000 FIRST, SET THE DATE. 873 00:53:43,000 --> 00:53:46,000 A FORTNIGHT... 874 00:53:46,000 --> 00:53:47,000 BUT TELL ME. 875 00:53:47,000 --> 00:53:50,000 TELL ME AGAIN OF THAT ROOM. 876 00:53:51,000 --> 00:53:52,000 THE GALERIE D'APOLLON. 877 00:53:52,000 --> 00:53:57,000 IN THE EARLY MORNING WHEN THE SUN IS BRIGHT, 878 00:53:57,000 --> 00:53:59,000 THE RAYS BRISTLE AND DART 879 00:53:59,000 --> 00:54:01,000 FROM THE GOLD AND SILVER PLATE, 880 00:54:01,000 --> 00:54:03,000 TO THE JEWELS AND PRECIOUS STONES, 881 00:54:03,000 --> 00:54:07,000 TILL THERE IS A PERFECT NETWORK OF LIGHT, 882 00:54:07,000 --> 00:54:10,000 WHICH QUITE DAZZLES THE EYE. 883 00:54:43,000 --> 00:54:45,000 OH, YOU SHOULD'VE COME. 884 00:54:45,000 --> 00:54:46,000 IT WAS QUITE BEAUTIFUL. 885 00:54:46,000 --> 00:54:49,000 THAT WEDDING WAS BORN OF TRICKERY. 886 00:54:49,000 --> 00:54:53,000 EUSTACIA LOOKED SO HAPPY. 887 00:54:54,000 --> 00:54:57,000 THEY MAKE A HANDSOME PAIR. 888 00:56:16,000 --> 00:56:19,000 CLYM! 889 00:56:19,000 --> 00:56:23,000 I SAW THE GREAT STEED PEGASUS OUTSIDE OUR DOOR. 890 00:56:23,000 --> 00:56:25,000 WE TALKED. 891 00:56:25,000 --> 00:56:28,000 THE FIRST TIME I SAW YOU, 892 00:56:28,000 --> 00:56:31,000 YOU HAD SMALL HORSE FOR COMPANY, REMEMBER? 893 00:56:31,000 --> 00:56:33,000 OF COURSE I REMEMBER. 894 00:56:33,000 --> 00:56:35,000 IT WAS THE SAME PONY, CLYM. 895 00:56:35,000 --> 00:56:39,000 I'D LIKE TO THINK HE BROUGHT YOU TO ME. 896 00:56:39,000 --> 00:56:40,000 MAYBE HE DID. 897 00:56:40,000 --> 00:56:43,000 JUST DON'T EVER LET HIM TAKE YOU AWAY FROM ME. 898 00:56:56,000 --> 00:56:58,000 WHAT'S THE MATTER? 899 00:56:58,000 --> 00:57:02,000 THE LIGHT IN HERE IS NOT SO GOOD. 900 00:57:16,000 --> 00:57:19,000 I HEARD YOU WERE STILL ABOUT ON THE HEATH, 901 00:57:19,000 --> 00:57:22,000 BUT YOU NEVER VISIT THE INN. 902 00:57:22,000 --> 00:57:25,000 I HAVEN'T FOUND THE OCCASION. 903 00:57:25,000 --> 00:57:27,000 SINCE YOU HAVEN'T VISITED ME, 904 00:57:27,000 --> 00:57:29,000 I DECIDED TO VISIT YOU. 905 00:57:29,000 --> 00:57:31,000 FRIENDS DO THAT, YOU KNOW. 906 00:57:31,000 --> 00:57:36,000 WELL, IT'S A PLEASURE I WASN'T EXPECTING. 907 00:57:39,000 --> 00:57:40,000 YOU DON'T, UH... 908 00:57:40,000 --> 00:57:44,000 YOU DON'T LOOK AS HAPPY AS YOU SHOULD BE. 909 00:57:44,000 --> 00:57:48,000 OH, WHO IS, DIGGORY? WHO IS? 910 00:57:48,000 --> 00:57:52,000 HUSBANDS WILL PLAY THE TRUANT, YOU KNOW? 911 00:57:54,000 --> 00:58:00,000 I THOUGHT YOU MIGHT KNOW SOME WAY TO KEEP DAMON HOME. 912 00:58:03,000 --> 00:58:04,000 WELL, THAT'S DIFFICULT... 913 00:58:04,000 --> 00:58:10,000 BECAUSE I CAN'T IMAGINE ANYONE WANTING TO LEAVE YOUR SIDE. 914 00:58:17,000 --> 00:58:20,000 I'LL PUT MY MIND TO IT, 915 00:58:20,000 --> 00:58:23,000 SEE IF THERE MIGHT BE SOME WAY 916 00:58:23,000 --> 00:58:26,000 OF KEEPING THE INNKEEPER IN HIS INN. 917 00:59:17,000 --> 00:59:19,000 CLYM, COME HERE. 918 00:59:19,000 --> 00:59:21,000 LOOK AT THE MOON. 919 00:59:21,000 --> 00:59:22,000 I WANT TO KNOW. 920 00:59:22,000 --> 00:59:27,000 HOW DOES THAT MOON APPEAR OVER PARIS TONIGHT? 921 00:59:27,000 --> 00:59:30,000 YOU CAN TELL ME. 922 00:59:30,000 --> 00:59:34,000 YOU CAN HARDLY SEE IT THROUGH THE SMOKE OF CHIMNEYS, 923 00:59:34,000 --> 00:59:38,000 WITH BUILDINGS BLOCKING ALMOST EVERY WINDOW. 924 00:59:38,000 --> 00:59:41,000 'TIS FAR MORE BEAUTIFUL HERE. 925 00:59:57,000 --> 00:59:58,000 EUSTACIA. 926 01:00:08,000 --> 01:00:11,000 OH, CLYM. 927 01:01:31,000 --> 01:01:33,000 EUSTACIA! 928 01:01:33,000 --> 01:01:34,000 HELP! 929 01:01:34,000 --> 01:01:35,000 EUSTACIA! 930 01:01:35,000 --> 01:01:36,000 HELP! 931 01:01:36,000 --> 01:01:38,000 EUSTACIA! 932 01:01:38,000 --> 01:01:39,000 CLYM! 933 01:01:39,000 --> 01:01:42,000 WHAT'S THE MATTER? 934 01:01:42,000 --> 01:01:44,000 I CAN'T SEE THE WORDS. 935 01:01:44,000 --> 01:01:46,000 IT'S ALL BLURRED. 936 01:01:46,000 --> 01:01:48,000 I THINK I'M GOING BLIND. 937 01:01:48,000 --> 01:01:49,000 BLIND? 938 01:01:49,000 --> 01:01:50,000 NO! 939 01:01:50,000 --> 01:01:51,000 NO. 940 01:01:51,000 --> 01:01:53,000 OH, MY BEAUTIFUL EUSTACIA. 941 01:01:53,000 --> 01:01:56,000 PLEASE DON'T LET YOUR FACE BE LOST TO ME. 942 01:01:56,000 --> 01:01:59,000 WHAT HAVE I DONE? 943 01:01:59,000 --> 01:02:01,000 WHAT HAVE I DONE? 944 01:02:05,000 --> 01:02:08,000 OH, NO. 945 01:02:08,000 --> 01:02:10,000 OH, NO. 946 01:02:11,000 --> 01:02:13,000 OH, NO. 947 01:02:16,000 --> 01:02:19,000 "THE 31st OF MAY, 1669. 948 01:02:19,000 --> 01:02:24,000 "I MUST ENDEAVOR TO KEEP A MARGIN IN MY BOOK OPEN, 949 01:02:24,000 --> 01:02:26,000 "TO ADD HERE AND THERE, 950 01:02:26,000 --> 01:02:29,000 "AND NOTE IN SHORTHAND, WITH MY OWN HAND, 951 01:02:29,000 --> 01:02:34,000 "AND THUS END ALL THAT I SHALL EVER BE ABLE TO DO 952 01:02:34,000 --> 01:02:35,000 "WITH MY OWN EYES, 953 01:02:35,000 --> 01:02:39,000 IN THE KEEPING OF MY JOURNAL." 954 01:02:39,000 --> 01:02:43,000 SEE? EVEN THE GREAT SAMUEL PEPYS WHEN HE WAS BUT 36, 955 01:02:43,000 --> 01:02:45,000 HAD HIS EYES FAIL ON HIM. 956 01:02:45,000 --> 01:02:49,000 IF IT WEREN'T FOR THESE CURSED BOOKS, 957 01:02:49,000 --> 01:02:51,000 YOU'D BE BRIGHT-EYED AND BACK IN PARIS, 958 01:02:51,000 --> 01:02:53,000 PROSPEROUS, AND WE WOULD BE HAPPY, 959 01:02:53,000 --> 01:02:57,000 NOT SITTING HERE TALKING AS IF THIS HALF-BLINDNESS 960 01:02:57,000 --> 01:03:00,000 WAS SOME KIND OF BLESSING. 961 01:03:03,000 --> 01:03:05,000 YOU ARE MY BLESSING, EUSTACIA. 962 01:03:05,000 --> 01:03:09,000 FATE PUT YOU AT MY SIDE BEFORE THIS HAPPENED. 963 01:03:09,000 --> 01:03:12,000 I'LL HAVE A SMALLER SCHOOL NOW, TRUE, 964 01:03:12,000 --> 01:03:14,000 BUT I CAN TEACH FROM MEMORY. 965 01:03:14,000 --> 01:03:16,000 WE CAN STILL BE HAPPY. 966 01:03:16,000 --> 01:03:17,000 GOOD DAY, CLYM! 967 01:03:17,000 --> 01:03:19,000 IS THAT YOU, HUMPHREY? 968 01:03:19,000 --> 01:03:20,000 YES. 969 01:03:20,000 --> 01:03:21,000 DIDN'T SEE YOU THERE. 970 01:03:21,000 --> 01:03:22,000 THAT'S NO SURPRISE BY NOW. 971 01:03:22,000 --> 01:03:26,000 HALF OF WHAT'S VISIBLE AIN'T WORTH LOOKING AT, 972 01:03:26,000 --> 01:03:28,000 WOULDN'T YOU SAY, MRS. YEOBRIGHT? 973 01:03:28,000 --> 01:03:32,000 I WAS SORRY TO HEAR ABOUT YOUR CONDITION. 974 01:03:32,000 --> 01:03:35,000 IF YOUR WORK WAS AS LOW CLASS AS MINE, 975 01:03:35,000 --> 01:03:37,000 YOU COULD GO ON. 976 01:03:37,000 --> 01:03:39,000 YES. 977 01:03:39,000 --> 01:03:40,000 YES! 978 01:03:40,000 --> 01:03:44,000 HOW MUCH DO YOU GET FOR CUTTING THOSE FURZE BUNDLES? 979 01:03:44,000 --> 01:03:45,000 HALF A CROWN A HUNDRED. 980 01:03:45,000 --> 01:03:49,000 ON LONG DAYS, I CAN LIVE WELL ON THE WAGES. 981 01:03:49,000 --> 01:03:50,000 THE OUTDOOR EXERCISE 982 01:03:50,000 --> 01:03:51,000 WILL DO ME GOOD. 983 01:03:51,000 --> 01:03:54,000 I CAN KEEP DOWN OUR EXPENDITURES. 984 01:03:54,000 --> 01:03:56,000 WHAT WOULD I NEED? 985 01:03:56,000 --> 01:03:59,000 I CAN LEND YOU SOME LEATHER LEGGINGS AND GAUNTLETS 986 01:03:59,000 --> 01:04:00,000 TILL YOU GET YOUR OWN. 987 01:04:00,000 --> 01:04:04,000 THEN YOU'LL NEED A WHETSTONE, A HOOK, SOME GOOD BOOTS. 988 01:04:04,000 --> 01:04:08,000 WHEREABOUTS DO YOU GO THEN? 989 01:04:11,000 --> 01:04:15,000 THE GALERIE D'APOLLON... 990 01:04:15,000 --> 01:04:17,000 IN THE EARLY MORNING... 991 01:04:17,000 --> 01:04:19,000 WHEN THE SUN IS BRIGHT... 992 01:04:19,000 --> 01:04:22,000 THE RAYS BRISTLE AND DART... 993 01:04:22,000 --> 01:04:27,000 UNTIL THERE IS A PERFECT NETWORK OF LIGHT 994 01:04:27,000 --> 01:04:31,000 THAT QUITE DAZZLES THE EYE. 995 01:05:07,000 --> 01:05:08,000 CLYM? 996 01:05:10,000 --> 01:05:11,000 EUSTACIA? 997 01:05:11,000 --> 01:05:14,000 I COULDN'T BELIEVE MY EARS. 998 01:05:14,000 --> 01:05:15,000 SINGING? 999 01:05:15,000 --> 01:05:17,000 IT'S ONLY A LITTLE SONG. 1000 01:05:17,000 --> 01:05:22,000 WOULD YOU MIND IF I WENT TO THE VILLAGE PICNIC AT EAST EGDON? 1001 01:05:22,000 --> 01:05:23,000 TO DANCE? 1002 01:05:23,000 --> 01:05:27,000 YES, I SUPPOSE SO. YES. 1003 01:05:28,000 --> 01:05:32,000 OF COURSE. IT WOULD BE GOOD FOR YOU. 1004 01:05:32,000 --> 01:05:34,000 ARE YOU JEALOUS? 1005 01:05:36,000 --> 01:05:38,000 OF COURSE I'M JEALOUS. 1006 01:05:38,000 --> 01:05:41,000 IT FRIGHTENS ME TO REALIZE OTHER MEN NOW TAKE JOY 1007 01:05:41,000 --> 01:05:43,000 IN A BEAUTY I CAN NO LONGER SEE. 1008 01:05:43,000 --> 01:05:45,000 YOU'RE MY HUSBAND. IS THAT NOT ENOUGH? 1009 01:05:45,000 --> 01:05:50,000 ONLY IF YOU ARE MY WIFE, WITHOUT REGRET. 1010 01:05:53,000 --> 01:05:55,000 I WON'T STAY LONG. 1011 01:05:55,000 --> 01:05:59,000 I'LL MEET YOU ON THE ROAD AND BRING YOU HOME. 1012 01:05:59,000 --> 01:06:02,000 YES. 1013 01:06:52,000 --> 01:06:54,000 EUSTACIA. 1014 01:06:56,000 --> 01:06:57,000 DAMON. 1015 01:06:57,000 --> 01:07:00,000 NO ONE OUT THERE HOLDS A CANDLE TO YOU. 1016 01:07:00,000 --> 01:07:02,000 YOU STARTLED ME. 1017 01:07:02,000 --> 01:07:07,000 DO YOU STILL LIKE TO DANCE AS MUCH AS EVER? 1018 01:07:07,000 --> 01:07:09,000 I THINK SO. 1019 01:07:09,000 --> 01:07:12,000 WILL YOU DANCE WITH ME? 1020 01:07:15,000 --> 01:07:18,000 YOUR HUSBAND AND MY WIFE ARE COUSINS. 1021 01:07:18,000 --> 01:07:22,000 CONSIDER ME A HARMLESS RELATION. 1022 01:09:25,000 --> 01:09:27,000 EUSTACIA! 1023 01:09:29,000 --> 01:09:33,000 WELL, I JUST DISCOVERED SOMETHING. 1024 01:09:33,000 --> 01:09:34,000 AND WHAT MIGHT THAT BE? 1025 01:09:34,000 --> 01:09:38,000 WITH OTHERS, IT'S JUST EXERCISE. 1026 01:09:38,000 --> 01:09:41,000 WITH YOU, DANCE BECOMES AN ART. 1027 01:09:41,000 --> 01:09:43,000 WHY, THANK YOU. 1028 01:09:43,000 --> 01:09:46,000 ALL SUCH EXAGGERATIONS ARE APPRECIATED THESE DAYS. 1029 01:09:46,000 --> 01:09:49,000 I'M SORRY TO HEAR ABOUT CLYM. 1030 01:09:49,000 --> 01:09:51,000 TRULY. 1031 01:09:51,000 --> 01:09:52,000 WE ALL THOUGHT 1032 01:09:52,000 --> 01:09:55,000 HE WAS GOING TO TAKE YOU OFF TO PARIS. 1033 01:09:55,000 --> 01:09:58,000 PARIS WILL HAVE TO DO WITHOUT ME... 1034 01:09:58,000 --> 01:10:00,000 FOR THE PRESENT, AT LEAST. 1035 01:10:00,000 --> 01:10:04,000 HER LOSS MORE THAN YOURS, I'D SAY. 1036 01:10:07,000 --> 01:10:08,000 I MUST BE GOING. 1037 01:10:08,000 --> 01:10:11,000 I'LL WALK YOU HOME IF YOU WANT. 1038 01:10:11,000 --> 01:10:14,000 CLYM IS COMING TO MEET ME PART WAY. 1039 01:10:14,000 --> 01:10:19,000 IF YOU THINK IT UNWISE... 1040 01:10:20,000 --> 01:10:23,000 YOU'RE IN THE WRONG COMPANY 1041 01:10:23,000 --> 01:10:26,000 IF YOU'RE LOOKING FOR WISDOM. 1042 01:10:37,000 --> 01:10:41,000 I THANK YOU FOR WALKING WITH ME, DIGGORY. 1043 01:10:41,000 --> 01:10:42,000 WE MAKE GOOD COMPANY. 1044 01:10:42,000 --> 01:10:43,000 YOU HAVE TROUBLE SEEING, 1045 01:10:43,000 --> 01:10:47,000 AND I'D JUST AS SOON NOT BE SEEN. 1046 01:10:49,000 --> 01:10:52,000 IS SOMEONE COMING? 1047 01:10:57,000 --> 01:10:59,000 IT'S CLYM. 1048 01:10:59,000 --> 01:11:00,000 HE'S WITH DIGGORY VENN. 1049 01:11:00,000 --> 01:11:01,000 I SHOULD GO. 1050 01:11:01,000 --> 01:11:06,000 NEITHER OF THEM WOULD BELIEVE WE MET BY CHANCE. 1051 01:11:06,000 --> 01:11:08,000 GOOD NIGHT THEN. 1052 01:11:10,000 --> 01:11:13,000 THAT'S MRS. YEOBRIGHT AND... 1053 01:11:13,000 --> 01:11:15,000 SOMEONE ELSE? 1054 01:11:15,000 --> 01:11:17,000 I--I... 1055 01:11:17,000 --> 01:11:19,000 CAN'T TELL. 1056 01:11:20,000 --> 01:11:22,000 CLYM, IT IS YOU. 1057 01:11:22,000 --> 01:11:23,000 MR. VENN. 1058 01:11:23,000 --> 01:11:26,000 DIGGORY, I LEAVE YOU TO RETURN WITH A LADY 1059 01:11:26,000 --> 01:11:28,000 FAR TOO BEAUTIFUL TO WALK ALONE. 1060 01:11:28,000 --> 01:11:30,000 DIDN'T ANYONE OFFER TO WALK WITH YOU? 1061 01:11:30,000 --> 01:11:32,000 ONE OF THE HEATH PEOPLE WALKED ME. 1062 01:11:32,000 --> 01:11:36,000 I KNOW SO FEW OF THEM BY NAME. 1063 01:11:38,000 --> 01:11:42,000 WELL, I HOPE TO FIND YOU BETTER SOON, CLYM. 1064 01:11:42,000 --> 01:11:44,000 GOODBYE TO YOU BOTH. 1065 01:11:44,000 --> 01:11:46,000 GOODBYE. 1066 01:11:48,000 --> 01:11:49,000 STRANGE. 1067 01:11:49,000 --> 01:11:52,000 YOU'RE THE ONLY ONE I CAN TRUST 1068 01:11:52,000 --> 01:11:55,000 TO BRING ME BAD NEWS WITH GOOD INTENTIONS. 1069 01:11:55,000 --> 01:11:59,000 YOUR SON'S MISFORTUNE HAS LED WILDEVE TO SHOW, 1070 01:11:59,000 --> 01:12:02,000 UH...MORE THAN CASUAL INTEREST 1071 01:12:02,000 --> 01:12:04,000 IN EUSTACIA AGAIN. 1072 01:12:04,000 --> 01:12:06,000 THIS CAN ONLY MEAN MORE UNHAPPINESS 1073 01:12:06,000 --> 01:12:08,000 FOR CLYM AND THOMASIN, I FEAR. 1074 01:12:08,000 --> 01:12:11,000 I PROTESTED AGAINST THEIR MARRIAGES. 1075 01:12:11,000 --> 01:12:13,000 THEY DIDN'T LISTEN. 1076 01:12:13,000 --> 01:12:15,000 NOW I'M TOO WEAK. 1077 01:12:15,000 --> 01:12:17,000 I...I CAN DO NO MORE. 1078 01:12:17,000 --> 01:12:20,000 MAYBE IF YOU WOULD MEND WITH YOUR SON. 1079 01:12:20,000 --> 01:12:25,000 I THINK YOUR PRESENCE WOULD MAKE WILDEVE WALK STRAIGHTER 1080 01:12:25,000 --> 01:12:27,000 THAN HE IS INCLINED TO DO. 1081 01:12:27,000 --> 01:12:32,000 I WILL ADMIT TO YOU, I HAVE THOUGHT OF IT. 1082 01:12:32,000 --> 01:12:36,000 I SHOULD WISH TO DIE IN PEACE. 1083 01:12:37,000 --> 01:12:40,000 HE IS MY ONLY SON. 1084 01:12:41,000 --> 01:12:42,000 AS FOR THOMASIN, 1085 01:12:42,000 --> 01:12:46,000 I FORGAVE HER LONG AGO... 1086 01:12:47,000 --> 01:12:50,000 AND I FORGIVE HIM NOW. 1087 01:12:52,000 --> 01:12:56,000 YES, PERHAPS I SHOULD GO. 1088 01:14:27,000 --> 01:14:28,000 WHY HAVE YOU COME? 1089 01:14:28,000 --> 01:14:31,000 FOR THE SIGHT OF YOU AGAIN. 1090 01:14:34,000 --> 01:14:36,000 WHY IS HE SLEEPING THERE? 1091 01:14:36,000 --> 01:14:37,000 HE'S VERY TIRED. 1092 01:14:37,000 --> 01:14:40,000 HE GOES OUT AT HALF PAST 4:00 CUTTING FURZE. 1093 01:14:40,000 --> 01:14:43,000 THE FATES HAVE TREATED YOU POORLY. 1094 01:14:43,000 --> 01:14:44,000 CLYM IS A GOOD MAN. 1095 01:14:44,000 --> 01:14:47,000 MOST WOMEN WOULD GO FAR FOR SUCH A HUSBAND. 1096 01:14:47,000 --> 01:14:53,000 YOU DON'T EVEN BREATHE THE SAME AIR AS MOST WOMEN. 1097 01:14:53,000 --> 01:14:56,000 GOD, HOW I ENVY HIM THAT SLEEP. 1098 01:14:56,000 --> 01:14:58,000 KNOWING YOU'RE HERE 1099 01:14:58,000 --> 01:15:01,000 GIVES HIM THAT PEACE OF MIND. 1100 01:15:03,000 --> 01:15:05,000 I HAVE NOT THAT PEACE. 1101 01:15:15,000 --> 01:15:17,000 CLYM? 1102 01:15:27,000 --> 01:15:28,000 IT'S HIS MOTHER. 1103 01:15:30,000 --> 01:15:31,000 MOTHER? 1104 01:15:31,000 --> 01:15:32,000 MOTHER? 1105 01:15:32,000 --> 01:15:34,000 CLYM WILL LET HER IN. 1106 01:15:34,000 --> 01:15:37,000 I SHOULD LEAVE. 1107 01:15:37,000 --> 01:15:38,000 THIS WAY. 1108 01:15:38,000 --> 01:15:40,000 TRULY, EUSTACIA... 1109 01:15:40,000 --> 01:15:44,000 I'VE HAD ALL I CAME FOR. 1110 01:15:45,000 --> 01:15:47,000 GOODBYE. 1111 01:17:05,000 --> 01:17:07,000 MRS. YEOBRIGHT. 1112 01:17:07,000 --> 01:17:08,000 MRS. YEOBRIGHT. 1113 01:17:08,000 --> 01:17:11,000 YOU LOOK AS THOUGH YOU'VE SEEN A GHOST. 1114 01:17:11,000 --> 01:17:14,000 I'VE SEEN WHAT'S WORSE... 1115 01:17:15,000 --> 01:17:18,000 A WOMAN'S FACE... 1116 01:17:18,000 --> 01:17:22,000 LOOKING AT ME THROUGH A WINDOWPANE 1117 01:17:22,000 --> 01:17:24,000 LIKE A STRANGER. 1118 01:17:24,000 --> 01:17:28,000 YOU WANT ME TO HELP GET YOU TO MR. CLYM'S PLACE? 1119 01:17:28,000 --> 01:17:30,000 IT'S JUST DOWN THERE. 1120 01:17:30,000 --> 01:17:33,000 NO. I JUST CAME FROM THERE. 1121 01:17:33,000 --> 01:17:35,000 THEY WOULDN'T LET ME IN. 1122 01:17:35,000 --> 01:17:37,000 WOULDN'T LET YOU IN? 1123 01:17:37,000 --> 01:17:44,000 I'VE BEEN CAST OFF BY MY SON. 1124 01:18:01,000 --> 01:18:03,000 WHAT IS IT, JOHNNY? 1125 01:18:03,000 --> 01:18:04,000 IT'S MRS. YEOBRIGHT. 1126 01:18:04,000 --> 01:18:07,000 I'VE GOT TO GET MR. CLYM. 1127 01:18:08,000 --> 01:18:10,000 MR. CLYM! 1128 01:18:10,000 --> 01:18:12,000 MR. CLYM! 1129 01:18:12,000 --> 01:18:15,000 MR. CLYM! MR. CLYM! 1130 01:18:15,000 --> 01:18:16,000 JOHNNY 1131 01:18:16,000 --> 01:18:18,000 SOMETHING TERRIBLE, MR. CLYM! 1132 01:18:18,000 --> 01:18:19,000 EASY, LAD. 1133 01:18:19,000 --> 01:18:20,000 YOUR MOTHER, MR. CLYM-- 1134 01:18:20,000 --> 01:18:23,000 ON THE PATH AT DEVIL'S BELLOWS. I FOUND HER. 1135 01:18:23,000 --> 01:18:25,000 SHE'S DEAD, SIR. 1136 01:18:25,000 --> 01:18:27,000 NO! SHE IS! 1137 01:18:27,000 --> 01:18:29,000 EUSTACIA... 1138 01:18:29,000 --> 01:18:31,000 SHOW ME! SHOW ME! 1139 01:18:38,000 --> 01:18:40,000 WHERE IS SHE, JOHNNY? 1140 01:18:40,000 --> 01:18:41,000 THIS WAY, MR. CLYM. 1141 01:18:41,000 --> 01:18:44,000 MIND THE BRANCHES, CLYM. CAREFUL NOW. 1142 01:18:45,000 --> 01:18:46,000 CLYM. 1143 01:18:52,000 --> 01:18:54,000 OH... 1144 01:18:54,000 --> 01:18:56,000 OH... 1145 01:18:57,000 --> 01:18:59,000 I DREAMED SHE WAS COMING. 1146 01:18:59,000 --> 01:19:03,000 SHE WAS ON HER WAY TO MY HOME, 1147 01:19:03,000 --> 01:19:05,000 BUT SHE COULDN'T MAKE IT. 1148 01:19:05,000 --> 01:19:06,000 OH, NO, MR. CLYM. 1149 01:19:06,000 --> 01:19:08,000 SHE SAID SHE'D ALREADY BEEN THERE, 1150 01:19:08,000 --> 01:19:11,000 BUT NO ONE WOULD OPEN THE DOOR. 1151 01:19:11,000 --> 01:19:12,000 SHE SAID WHAT? 1152 01:19:12,000 --> 01:19:16,000 AND SHE SAID, "I'VE BEEN CAST OFF BY MY SON." 1153 01:19:16,000 --> 01:19:19,000 "CAST OFF BY MY SON"? 1154 01:19:19,000 --> 01:19:21,000 YES, MR. CLYM. 1155 01:19:21,000 --> 01:19:22,000 JOHNNY. 1156 01:19:22,000 --> 01:19:23,000 AND SHE ALSO SAID 1157 01:19:23,000 --> 01:19:27,000 SHE'D SEEN A WOMAN IN THE WINDOW. 1158 01:19:55,000 --> 01:19:57,000 CHARLEY, THERE MUST BE MORE TO IT. 1159 01:19:57,000 --> 01:19:59,000 THERE'S A STORY ON THE HEATH, MR. CLYM, 1160 01:19:59,000 --> 01:20:02,000 THAT SOMEONE WAS SEEN ENTERING THE HOUSE. 1161 01:20:02,000 --> 01:20:03,000 WHO? 1162 01:20:03,000 --> 01:20:05,000 I DON'T KNOW. A MAN. 1163 01:20:05,000 --> 01:20:06,000 I DIDN'T SEE HIM MYSELF. 1164 01:20:06,000 --> 01:20:07,000 WHO SAW HIM? 1165 01:20:07,000 --> 01:20:10,000 SUSAN NUNSUCH SAW HIM. TIMOTHY FAIRWAY SAW HIM. 1166 01:20:10,000 --> 01:20:11,000 WHO WAS IT? 1167 01:20:11,000 --> 01:20:15,000 I DON'T KNOW. A MAN. THAT'S ALL I KNOW. 1168 01:20:19,000 --> 01:20:20,000 TELL ME. 1169 01:20:20,000 --> 01:20:22,000 THERE WAS A MAN HERE. 1170 01:20:22,000 --> 01:20:24,000 SOME ON THE HEATH SAW HIM ENTER. 1171 01:20:24,000 --> 01:20:26,000 TELL ME, OR I'LL-- 1172 01:20:26,000 --> 01:20:27,000 KILL ME? 1173 01:20:27,000 --> 01:20:28,000 PLEASE DO. 1174 01:20:28,000 --> 01:20:31,000 THE LIFE YOU'VE FORCED ME TO LIVE HERE 1175 01:20:31,000 --> 01:20:33,000 WOULD MAKE DYING SEEM EASY. 1176 01:20:33,000 --> 01:20:35,000 I'LL NOT KILL YOU. 1177 01:20:35,000 --> 01:20:37,000 I'LL NOT MAKE YOU A MARTYR. 1178 01:20:37,000 --> 01:20:38,000 HOW BEWITCHED I WAS. 1179 01:20:38,000 --> 01:20:41,000 HOW COULD THERE BE ANY GOOD 1180 01:20:41,000 --> 01:20:43,000 IN A WOMAN EVERYBODY SPOKE ILL OF? 1181 01:20:43,000 --> 01:20:44,000 I CONFESS. 1182 01:20:44,000 --> 01:20:47,000 I WILLFULLY DIDN'T OPEN THE DOOR WHEN SHE KNOCKED 1183 01:20:47,000 --> 01:20:50,000 BECAUSE I THOUGHT YOU'D GONE TO DO IT YOURSELF. 1184 01:20:50,000 --> 01:20:53,000 THAT IS THE EXTENT OF MY CRIME TOWARD HER. 1185 01:20:53,000 --> 01:20:57,000 I'VE COMMITTED NO CRIME AGAINST YOU... 1186 01:20:57,000 --> 01:21:00,000 EXCEPT FOR A LITTLE SELF-PITY, PERHAPS. 1187 01:21:00,000 --> 01:21:05,000 I HAVE LIVED ON PROMISES YOU NEVER MADE. 1188 01:21:05,000 --> 01:21:07,000 IT'S MY NATURE. 1189 01:21:07,000 --> 01:21:10,000 I HAVE A HUNGRY IMAGINATION, 1190 01:21:10,000 --> 01:21:12,000 AND IT STARVED HERE. 1191 01:21:13,000 --> 01:21:17,000 WAS THE MAN IN THE HOUSE WILDEVE? 1192 01:21:19,000 --> 01:21:21,000 OH, CLYM, 1193 01:21:21,000 --> 01:21:26,000 THE TRUTH WOULD SPOIL THIS GRAND RAGE YOU'VE BEEN FEEDING. 1194 01:21:28,000 --> 01:21:30,000 HERE WE ARE... 1195 01:21:31,000 --> 01:21:33,000 STILL WITHIN REACH OF EACH OTHER, 1196 01:21:33,000 --> 01:21:36,000 BUT THE DARKEST THOUGHTS A MAN COULD THINK 1197 01:21:36,000 --> 01:21:39,000 ARE BETWEEN US NOW FOREVER. 1198 01:21:50,000 --> 01:21:51,000 GOODBYE. 1199 01:21:54,000 --> 01:21:58,000 GREAT CHANCES HAVE BEEN LOST TO US... 1200 01:22:01,000 --> 01:22:03,000 SINCE THAT... 1201 01:22:03,000 --> 01:22:08,000 MISTY NIGHT YOU FIRST SAID... 1202 01:22:08,000 --> 01:22:10,000 "GOOD EVENING." 1203 01:23:37,000 --> 01:23:40,000 PEOPLE ASK ME, "WHO'S THAT OLD MAN 1204 01:23:40,000 --> 01:23:43,000 LIVING AT BLOOMS" 1205 01:23:43,000 --> 01:23:45,000 HELLO, THOMASIN. 1206 01:23:46,000 --> 01:23:47,000 TWO MONTHS NOW, 1207 01:23:47,000 --> 01:23:51,000 AND EVERY DAY YOU AGE A YEAR. 1208 01:23:51,000 --> 01:23:53,000 SEND FOR HER, CLYM. 1209 01:23:53,000 --> 01:23:55,000 I'VE THOUGHT OF IT, 1210 01:23:55,000 --> 01:23:59,000 BUT THE HURT OF IT ALL COMES BACK. 1211 01:24:00,000 --> 01:24:03,000 I HAVE HURT, TOO. 1212 01:24:03,000 --> 01:24:05,000 I'M SURE YOU CAN GUESS, 1213 01:24:05,000 --> 01:24:10,000 BUT I NEVER TURN HOPE AWAY. 1214 01:24:12,000 --> 01:24:15,000 IF I DON'T HEAR FROM HER SOON, 1215 01:24:15,000 --> 01:24:16,000 I'LL WRITE TO HER. 1216 01:24:16,000 --> 01:24:20,000 I DON'T REJOICE IN EMPTY ROOMS. 1217 01:24:20,000 --> 01:24:21,000 DO IT NOW! 1218 01:24:21,000 --> 01:24:24,000 TOMORROW'S THE 5th OF NOVEMBER. 1219 01:24:24,000 --> 01:24:26,000 THE BONFIRES WILL BE LIT. 1220 01:24:26,000 --> 01:24:31,000 MAKE IT AN OCCASION TO REMEMBER. 1221 01:25:17,000 --> 01:25:20,000 AH, YOU REMIND ME. 1222 01:25:20,000 --> 01:25:22,000 THESE NEED CLEANING. 1223 01:25:22,000 --> 01:25:26,000 A LOADED PISTOL ATTRACTS DAMPNESS THIS WEATHER. 1224 01:25:28,000 --> 01:25:31,000 I'VE NEVER MEDDLED IN YOUR AFFAIRS, GRANDDAUGHTER, 1225 01:25:31,000 --> 01:25:34,000 AND I'VE NEVER ASKED WHAT PASSED BETWEEN YOU. 1226 01:25:34,000 --> 01:25:37,000 I'LL ONLY SAY YOU APPEARED HAPPIER 1227 01:25:37,000 --> 01:25:39,000 WHEN YOU HAD HIM UNDER UNFORTUNATE CIRCUMSTANCES, 1228 01:25:39,000 --> 01:25:44,000 HAPPIER THAN YOU SEEM NOW THAT YOU DON'T HAVE HIM AT ALL. 1229 01:25:44,000 --> 01:25:47,000 MISS EUSTACIA, TOMORROW NIGHT'S THE 5th OF NOVEMBER. 1230 01:25:47,000 --> 01:25:49,000 I'LL LIGHT YOU A ROARING BONFIRE 1231 01:25:49,000 --> 01:25:51,000 THAT'LL PUT ALL THE OTHERS TO SHAME. 1232 01:25:51,000 --> 01:25:53,000 YOU'D LIKE THAT, WOULDN'T YOU NOW? 1233 01:25:53,000 --> 01:25:57,000 AYE. THERE GO MY BEST THORN ROOTS AGAIN. 1234 01:26:28,000 --> 01:26:30,000 EUSTACIA. 1235 01:26:31,000 --> 01:26:33,000 I SAW YOUR SIGNAL FIRE. 1236 01:26:33,000 --> 01:26:35,000 I HURRIED. 1237 01:26:35,000 --> 01:26:36,000 CHARLEY LIT IT. 1238 01:26:36,000 --> 01:26:39,000 I DIDN'T MEAN TO SIGNAL YOU. 1239 01:26:39,000 --> 01:26:40,000 I'M GLAD I CAME ANYWAY. 1240 01:26:40,000 --> 01:26:43,000 I'VE DONE YOU A GREAT HARM, EUSTACIA. 1241 01:26:43,000 --> 01:26:46,000 PLEASE FORGIVE ME. 1242 01:26:47,000 --> 01:26:49,000 NOT YOU. 1243 01:26:50,000 --> 01:26:52,000 IT'S THIS PLACE. 1244 01:26:52,000 --> 01:26:56,000 YOU DO NOT DESERVE WHAT YOU HAVE GOT, EUSTACIA. 1245 01:26:59,000 --> 01:27:00,000 I... 1246 01:27:13,000 --> 01:27:16,000 IF THERE IS ANYTHING I CAN DO, NAME IT. 1247 01:27:16,000 --> 01:27:17,000 ANYTHING YOU WANT BOUGHT, 1248 01:27:17,000 --> 01:27:19,000 ANY PLACE YOU WANT TO GO. 1249 01:27:19,000 --> 01:27:23,000 WHY DON'T YOU LEAVE THIS PLACE ALTOGETHER? 1250 01:27:23,000 --> 01:27:24,000 YES. 1251 01:27:25,000 --> 01:27:27,000 YES. 1252 01:27:27,000 --> 01:27:30,000 I'M NOT WANTED HERE. 1253 01:27:30,000 --> 01:27:33,000 MY HUSBAND DOES NOT CALL TO ME. 1254 01:27:33,000 --> 01:27:36,000 IF YOU COULD HELP ME AS FAR AS BUDMOUTH, 1255 01:27:36,000 --> 01:27:38,000 I CAN GET TO PARIS MYSELF. 1256 01:27:38,000 --> 01:27:40,000 THAT'S WHERE I WANT TO BE. 1257 01:27:40,000 --> 01:27:41,000 SHALL I... 1258 01:27:41,000 --> 01:27:44,000 COME WITH YOU TO PARIS? 1259 01:27:45,000 --> 01:27:47,000 MEET ME AT SHADWATER AT MIDNIGHT. 1260 01:27:47,000 --> 01:27:50,000 DRIVE ME TO BUDMOUTH FOR THE MORNING BOAT, 1261 01:27:50,000 --> 01:27:52,000 AND I'LL TELL YOU THEN. 1262 01:27:53,000 --> 01:27:54,000 PLEASE GO NOW. 1263 01:27:54,000 --> 01:27:57,000 THE NOTION WILL MELT IF WE TALK ABOUT IT. 1264 01:27:57,000 --> 01:28:00,000 I'LL NOT SAY A WORD AGAINST IT. 1265 01:28:03,000 --> 01:28:05,000 TILL MIDNIGHT. 1266 01:28:32,000 --> 01:28:35,000 I'M HOME, JOHNNY. 1267 01:28:38,000 --> 01:28:40,000 FEELING BETTER? 1268 01:28:41,000 --> 01:28:44,000 OH, YOU'RE STILL BURNING. 1269 01:28:54,000 --> 01:28:58,000 I'LL MAKE YOU BETTER, JOHNNY. 1270 01:29:07,000 --> 01:29:10,000 YOU'LL BE BETTER NOW. 1271 01:29:24,000 --> 01:29:27,000 A LETTER FOR MISS EUSTACIA FROM MR. CLYM. 1272 01:29:27,000 --> 01:29:29,000 SHE'S ASLEEP, BUT SHE'LL BE PLEASED 1273 01:29:29,000 --> 01:29:33,000 TO HAVE IT IN THE MORNING. THANK YOU. 1274 01:30:06,000 --> 01:30:07,000 MY DEAR EUSTACIA, 1275 01:30:07,000 --> 01:30:10,000 I AM OBEYING MY HEART IN WRITING TO YOU. 1276 01:30:10,000 --> 01:30:14,000 I BEG YOU TO FORGIVE ME AND SAY YOU WILL RETURN. 1277 01:30:14,000 --> 01:30:16,000 COME TO ME. 1278 01:30:16,000 --> 01:30:19,000 YOUR HUSBAND AS EVER, CLYM. 1279 01:30:30,000 --> 01:30:32,000 WALK ON. 1280 01:30:41,000 --> 01:30:43,000 HYAH! HYAH! 1281 01:30:54,000 --> 01:30:56,000 OH, CLYM! 1282 01:30:56,000 --> 01:30:59,000 CAPTAIN VYE'S JUST BEEN TO SEE ME. 1283 01:30:59,000 --> 01:31:00,000 AT THIS HOUR? 1284 01:31:00,000 --> 01:31:02,000 EUSTACIA'S DISAPPEARED FROM HIS HOUSE, 1285 01:31:02,000 --> 01:31:04,000 AND DAMON HAS JUST DRIVEN OFF. 1286 01:31:04,000 --> 01:31:07,000 THEY MAY BE LEAVING TOGETHER. 1287 01:31:37,000 --> 01:31:38,000 WHOA! 1288 01:31:38,000 --> 01:31:39,000 DAMON. 1289 01:31:47,000 --> 01:31:49,000 DAMON! 1290 01:31:53,000 --> 01:31:55,000 WHERE IS SHE? 1291 01:31:55,000 --> 01:31:59,000 THERE SHE IS, ON THE BRIDGE! 1292 01:31:59,000 --> 01:32:01,000 EUSTACIA! 1293 01:32:06,000 --> 01:32:07,000 NO! 1294 01:32:07,000 --> 01:32:10,000 EUSTACIA! 1295 01:32:12,000 --> 01:32:14,000 WHAT'S HAPPENED? 1296 01:32:15,000 --> 01:32:18,000 I CAN'T SEE HER! 1297 01:32:18,000 --> 01:32:20,000 WHERE IS SHE? 1298 01:32:20,000 --> 01:32:23,000 SHE'S GONE! 1299 01:32:26,000 --> 01:32:29,000 THERE SHE IS! 1300 01:32:29,000 --> 01:32:30,000 WHERE? 1301 01:32:30,000 --> 01:32:31,000 I'VE LOST HER! 1302 01:32:31,000 --> 01:32:34,000 EUSTACIA! 1303 01:32:34,000 --> 01:32:35,000 SHE'S THERE! 1304 01:32:35,000 --> 01:32:37,000 IS SHE ALL RIGHT? 1305 01:32:42,000 --> 01:32:44,000 I CAN'T SEE HER! 1306 01:32:44,000 --> 01:32:45,000 SHE'S IN THE FLOW! 1307 01:32:45,000 --> 01:32:47,000 NO, DAMON, SHE'S GONE! 1308 01:32:47,000 --> 01:32:49,000 IT'S TOO LATE! 1309 01:32:49,000 --> 01:32:52,000 PLEASE, PLEASE, DON'T! 1310 01:32:59,000 --> 01:33:00,000 THOMASIN, WHAT IS IT? 1311 01:33:00,000 --> 01:33:04,000 PLEASE, PLEASE! HELP THEM! 1312 01:33:04,000 --> 01:33:06,000 PLEASE! 1313 01:33:14,000 --> 01:33:16,000 DAMON! 1314 01:34:16,000 --> 01:34:20,000 DAMON, I'M COMING! 1315 01:34:30,000 --> 01:34:33,000 DAMON! 1316 01:34:45,000 --> 01:34:48,000 OH, DAMON. 1317 01:34:50,000 --> 01:34:52,000 DAMON. 1318 01:35:06,000 --> 01:35:08,000 NO! 1319 01:35:08,000 --> 01:35:10,000 NO! 1320 01:35:11,000 --> 01:35:13,000 OH... 1321 01:35:13,000 --> 01:35:15,000 MY LOVE. 1322 01:35:16,000 --> 01:35:18,000 MY LOVE. 1323 01:35:21,000 --> 01:35:25,000 I LIED TO YOU, EUSTACIA. 1324 01:35:25,000 --> 01:35:26,000 I LIED. 1325 01:35:26,000 --> 01:35:30,000 THE MOON ABOVE PARIS IS BEAUTIFUL. 1326 01:35:30,000 --> 01:35:32,000 IT IS. 1327 01:35:32,000 --> 01:35:34,000 EUSTACIA. 1328 01:35:34,000 --> 01:35:38,000 EUSTACIA! 1329 01:35:43,000 --> 01:35:46,000 ♪ SHE CRIED, "I AM UNDONE!" ♪ 1330 01:35:46,000 --> 01:35:49,000 ♪ OH, HUSH YOUR TONGUE, YOU FOOLISH GIRL ♪ 1331 01:35:49,000 --> 01:35:53,000 ♪ FOR THE FOGGY, FOGGY DEW IS GONE ♪ 1332 01:35:53,000 --> 01:35:57,000 ♪ I NEVER TOLD HER OF MY THOUGHTS ♪ 1333 01:35:57,000 --> 01:35:59,000 ♪ AND I NEVER INTEND TO DO ♪ 1334 01:35:59,000 --> 01:36:04,000 ♪ BUT THE WAY SHE GIVES ME A WINK OR A SMILE... ♪ 1335 01:36:04,000 --> 01:36:06,000 HELLO, MR. CLYM. 1336 01:36:06,000 --> 01:36:07,000 ARE YOU ALL RIGHT? 1337 01:36:07,000 --> 01:36:10,000 IT SOUNDS LIKE THEY'RE GETTING A PROPER START. 1338 01:36:10,000 --> 01:36:11,000 DO THEY LOOK HAPPY? 1339 01:36:11,000 --> 01:36:13,000 AYE, HAPPY AND THEN SOME. 1340 01:36:13,000 --> 01:36:15,000 YOU OUGHT TO GO IN AND JOIN THEM. 1341 01:36:15,000 --> 01:36:16,000 IT'S YOUR HOUSE. 1342 01:36:16,000 --> 01:36:19,000 TAKE ANOTHER LOOK. WOULD YOU SAY THEY MISSED ME? 1343 01:36:19,000 --> 01:36:21,000 NOT A BIT IN THE WORLD. 1344 01:36:21,000 --> 01:36:23,000 TO DIGGORY AND THOMASIN-- 1345 01:36:23,000 --> 01:36:25,000 A LONG AND HAPPY LIFE. 1346 01:36:36,000 --> 01:36:39,000 OH, CHARLEY, I ALMOST FORGOT. 1347 01:36:39,000 --> 01:36:43,000 FROM THAT FIRST DAY I CAME CALLING AT MISTOVER KNAP-- 1348 01:36:43,000 --> 01:36:44,000 DO YOU REMEMBER? 1349 01:36:44,000 --> 01:36:45,000 YES, SIR, I DO. 1350 01:36:45,000 --> 01:36:48,000 I COULD TELL YOU WERE FOND OF MISS EUSTACIA. 1351 01:36:48,000 --> 01:36:51,000 HERE'S A TRESS OF HER HAIR. 1352 01:36:51,000 --> 01:36:54,000 I THINK SHE'D LIKE YOU TO HAVE IT. 1353 01:37:01,000 --> 01:37:05,000 SHE OFTEN MENTIONED YOU WERE KIND TO HER. 1354 01:37:08,000 --> 01:37:10,000 AND SO I TEACH, 1355 01:37:10,000 --> 01:37:14,000 NOT FROM ANY CREED OR SYSTEM OF PHILOSOPHY, 1356 01:37:14,000 --> 01:37:17,000 BUT FROM THE OPINIONS AND THE ACTIONS 1357 01:37:17,000 --> 01:37:19,000 COMMON TO ALL GOOD MEN. 1358 01:37:19,000 --> 01:37:22,000 I TEACH BECAUSE... 1359 01:37:22,000 --> 01:37:24,000 TO TEACH IS TO LEARN... 1360 01:37:24,000 --> 01:37:29,000 TO LEARN THAT LOVE CAN ONLY BE GIVEN, NEVER TAKEN, 1361 01:37:29,000 --> 01:37:32,000 TO LEARN THAT ONE SHOULD FORGIVE QUICKLY 1362 01:37:32,000 --> 01:37:33,000 BECAUSE TIME IS SHORT, 1363 01:37:33,000 --> 01:37:38,000 TO LEARN THAT TRUE BEAUTY, LIKE THE BEAUTY OF TRUTH, 1364 01:37:38,000 --> 01:37:41,000 NEVER DIES. 1365 01:37:50,000 --> 01:37:52,000 EUSTACIA? 1366 01:38:01,000 --> 01:38:04,000 MY EUSTACIA. 1367 01:38:14,000 --> 01:38:16,000 AS YOU KNOW, 1368 01:38:16,000 --> 01:38:18,000 MY DEAR FRIENDS, 1369 01:38:18,000 --> 01:38:22,000 THIS BELOVED COUNTRYSIDE, WHICH CALLED ME HOME, 1370 01:38:22,000 --> 01:38:26,000 I CAN NOW ONLY DIMLY SEE. 1371 01:38:26,000 --> 01:38:29,000 CAPTIONING MADE POSSIBLE BY HALLMARK HOME ENTERTAINMENT 1372 01:38:29,000 --> 01:38:31,000 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1373 01:38:31,000 --> 01:38:36,000 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE